Secret societies, symbolic masks, cinematographic clues, and other aspects of Kubrick’s fascinating film are discussed is this engaging episode of Stark Truth Radio. Listen here.



Not counting high school and college reading assignments of several of William Shakespeare’s plays, I could probably count the books of poetry I’ve read with the digits on one of my hands. I made an exception this week, though, and broke with my usual routine of mundane and informational counter-Semitic prose to read Brandon Adamson’s Beatnik Fascism. I’ve owned this book for a while, but don’t usually feel sufficiently tranquil for literary appreciation, so it took me a while to get around to it.

AdamsonCoverWhat is “beatnik fascism”? “Just as the beats didn’t conform to the post world war II societal workforce uniformity and ‘square’ culture of the 1950s and 60s, it seems that young racialists and other thought criminals now find themselves […] cast as the unassimilated actors in the politically correct, multicultural, global capitalist theatrics of today,” Adamson writes in his introduction. “We find ourselves keeping our true opinions to ourselves at the office while maintaining secret identities online for sharing our darkest views. We live almost completely isolated in society and detached from popular culture […]”

The “beatnik fascist”, then, is not necessarily a partisan of some interwar iteration of continental nationalism, but one whose dogged capacity for pattern recognition and revulsion at the globalist, pantsuited status quo necessitate the subterranean life of the societal outcast – and beatnik fascists like Brandon Adamson, who recognize the anti-racists for the hateful, unimaginative squares they always were, would have it no other way. Adorning the cover of the book is a stylized pagoda circled after the manner of the party flag of the British Union of Fascists – but referencing, too, the far-out philosophical interests of the historical Beats. […]

Read the rest of my review here

It Comes at Night

A plague has decimated the United States, plunging the population into anarchy and reducing living standards to the bare rudiments. Rather than offering a panoramic view of the cataclysm, however, It Comes at Night opts instead to tell this story on an intimate level, with a minimal cast, and through the interactions of two families trying to survive in a forested wilderness.

Joel Edgerton lives in a remote house with wife Carmen Ejogo and son Kelvin Harrison. The death early on of the mother’s father, played by David Pendleton, serves as a reminder of the family’s continued vulnerability to the mysterious pestilence even in their isolation and haunts the remainder of the film.

New tensions are introduced when another family, headed by Christopher Abbott, enters their lives. Edgerton never completely trusts Abbott’s motivations, and lonely and sensitive Harrison finds himself drawn to Abbott’s attractive wife, portrayed by Riley Keough.

Highly effective moments of paranoia reminiscent of John Carpenter’s remake of The Thing enhance this morose and often oppressive horror drama, tipping this review in favor of a recommendation. 4 out of 5 stars. Ideological Content Analysis indicates that It Comes at Night is:

3. Anti-gun, with firearms contributing to a tragic denouement instead of successful home defense.

2. Pro-miscegenation, with Edgerton married to a black woman and helping to raise her black son (it is never clear whether Harrison is supposed to be Edgerton’s biological or adopted son, but he looks too dark-skinned to be the former). The film includes a dream-turned-nightmare fantasy scene in which Keough grotesquely straddles and smooches the congoid boy before spewing black plague-slime into his face. Perhaps inadvertently, the scene conveys the temptation to miscegenation as well as the sense that there is something wrong and unnatural about it.

1.Borders-ambiguous. Writer-director Trey Shults has said that It Comes at Night is fundamentally about “fear of the unknown”; and one expression of this in the film is instability created by the unexpected presence of an outsider. Viewed microcosmically, It Comes at Night can be interpreted as an allegory about the immigration debate and the popular call for a wall and strong protectionist measures. Christopher Abbott, who plays the stranger, has some Italian ancestry, but could easily read visually as a mestizo. His character enters the lives of Edgerton and his family when he breaks into their home hoping to find supplies – he is, in other words, illegal and undocumented – but is allowed to move into the house with his wife and child after winning Edgerton’s trust with successful food-for-water barter. His presence, tolerated on pretexts of mutual economic benefit and universal compassion, also represents a threat to Edgerton’s family’s domestic security, however; and, just as Mexicans entering the United States have brought with them illnesses such as highly virulent strains of tuberculosis, Abbott and his family carry with them the risk of plague contagion. Perhaps endorsing this reading is Shults’s description of the climactic sequence as a “Mexican standoff” and his confession during his commentary on the film that, “I was reading books on genocide and thinking about, like, us as humans, you know, and how long we’ve been on this planet and that […] ingrained in us is tribe mentality, you know, and, like, basically, these two families are these two tribes.” The inability of the two men to maintain a peaceful collaboration is treated as a tragedy, but one that could have been avoided if their paths had never crossed – if, for example, Edgerton’s home security precautions had been more thoroughgoing and Abbott had never been able to break into his home in the first place.

Rainer Chlodwig von K.

Aryan Skynet


One of my favorite lulzy internet subculture handles is that of a Reddit communist, “CentristsAreScum”. The name provokes a laugh, but also poses rhetorical questions. Are centrists scum? Is ideological purity and intractability the only way to garner internet superhighway cred? What about in the “real” world of fracturing politics?

The emergence of an “Alt-Center” – a de facto white-nationalist synthesis of leftist and rightist positions – is, as Robert Stark recently discussed with Giovanni Dannato, an inevitability. Stark, HAarlem VEnison, Brandon Adamson, and the nebulous Alt-Left coterie can be viewed as eccentric precursors of this ascendant tendency.

One already hears occasional anecdotes of disaffected Bernie Bros going Alt-Right. Indeed, intellectual darling Slavoj Zizek wrote in November that, “Alt-right Trump supporters and left-wing Bernie Sanders fans should join together to defeat capitalism”. Bernie Bros were, after all, criticized for “rude and often sexist” online behavior not so different…

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“It is inarguable, from an occult perspective, that this process was at work; the collective will was strengthened in a vampiric manner,” says Styxhexenhammer666. My review of Styx’s goofy book Occult Memetics:

Aryan Skynet


“Much like antiquated mages in olden days with magickal clay tablets must have thought that those ‘new age scroll users’ were inauthentic there will be the tendency to remark that the internet is so new, and technologically adept, that it is senseless to compare it with the occult, or with magic, which all adults, after all, ‘know’ is ‘not real’,” writes “Tarl Warwick”, better known as YouTuber Styxhexenhammer666, in his little book Occult Memetics: Reality Manipulation1. Styx takes the position that the magickal is real and that it informs such online phenomena as the cult-like ascendancy of Pepe.

Those looking for deep psychological or magickal insight into memetic mechanics or for tips on how to craft viral content will, unfortunately, find only thin gruel in these pages. Styx’s practical words of wisdom on the subject are as follows:

  • “[…] those occult memes which are not overtly occult but…

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Aryan Skynet

Trump will deliver the State of the Union address today, January 30. 2018, and 9:00 PM Eastern Standard Time. The Neo-Nazi White Supremacist newspaper, the New York Times, will live-stream the speech here

Perhaps the most anticipated issue to be discussed is the so-called “DACA Dreamers,” hundreds of thousands of illegal aliens, virtually all of them non-white, that were given a special exemption from immigration law due to President Obama’s executive order and have been the focus of a major political fight between Trump, the Republicans and the Democrats. Trump’s speech could be business as usual or it could mark a major shift in American political rhetoric on immigration, legal and illegal.

Unlike most blogs in this niche, Aryan Skynet took an extremely critical stance on Trump since the day he announced. A year in, it’s worth taking a look back and making a catalog of what we got…

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Deus Vultures BTFO: Aryan Skynet is now a full-time Stalinist propaganda site.

Aryan Skynet

The title of this post is just a joke – it is not my serious assertion that Albania’s communist dictator Enver Hoxha did exactly nothing wrong – but is there something positive that can be said about this avowed Stalinist ideologue? This is Aryan Skynet, so you know there is!

Born into a Muslim family, Hoxha worked as a schoolteacher before rising to national prominence during the Second World War as a leader of the Communist Party of Albania, later renamed the Party of Labor. Fascist violators of Albanian sovereignty were obliged to BTFO. Hoxha split with wartime Yugoslavian allies over Albanian territorial interests and in the aftermath of the war pursued an independent course of autonomy and economic self-sufficiency for his country. The communists deposed Albania’s King Zog – the liquidation of all things “Zog” being a necessary first step in the construction of any social-nationalist state. “The…

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Aryan Skynet

Paul F. Nehlen, III (born May 9, 1969) is a successful businessman turned politician. After a failed 2016 bid to unseat Republican Speaker of the House Paul Ryan, Nehlen is running again.

But this time, Nehlen’s campaign is a bit more than the Tea Party-style, America-First, anti-Trans-Pacific Partnership jobs and borders platform of his first run. This time, Nehlen is using Twitter to post “It’s OK To Be White” memes and, famously, earning him the hatred of Jewish hate groups like the ADL & the SPLC, as well as a denouncement by the neo-Zionist website and former Trump campaign manager Steve Bannon, for posting that he was reading Dr. Kevin MacDonald’s seminal work, “The Culture of Critique.”

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Aryan Skynet

If most of the junk mail I receive comes from the usury industry, the second-biggest category is probably insurance companies. One of the firms whose trash I occasionally dig out of my mailbox is the Globe Life and Accident Insurance Company, based in Oklahoma City. Specifically, I receive from them advertisements for their children’s life insurance programs. Adorning the envelope and the spiel inside are cartoon depictions of children – always in varying shades of brown. What a tacky exploitation of blacks’ gullibility, I think to myself as I stuff the mailings in the garbage.

insurance7 Here’s the little cartoon Tyrone whose image appears in the junk from Globe.

insurance8 And here’s Globe Life President Bill Leavell, whose signature appears on the company’s letters. Looks like a compassionate guy.

Googling the matter, however, I find that the children’s “life insurance” industry facilitates an even more disgusting phenomenon than I had naively assumed…

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Sorry about the low-substance post this week, guys, but my access to the internet is limited for the time being and this is basically me just saying hello before going silent again for a while. Don’t worry, though, I’ll be back bigger, badder, and more mercilessly whip-wielding than Christ in the temple!

Aryan Skynet

Exodus Song

Hollywood “conservative” Pat Boone was always a useless philo-Semitic shill for his Third World “Judeo-Christian” cult, even going as far as to donate the royalties on his recording of the Exodus theme to the Zionist cause; but I thought Skynet might still enjoy this amusing anecdote from Boone’s 1970 memoir A New Song, concerning the singer’s efforts to save the sin-imperiled youth of Beverly Hills during the tumultuous, sex-and-drug-tempted countercultural era:

[…] I suppose there are more than twenty of these girls who have come to know Jesus in the last year. Many of them have come from homes of famous parents who haven’t had time for religion. And interestingly enough, some of these parents are now starting to wonder just what it is that’s caused such happy changes in their kids.

One girl was telling me the other evening that her mother, a well-known actress who is estranged…

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