Archives for posts with tag: virus
contagion0

Gwyneth Paltrow in a scene from Contagion (2011)

Once again – the occasion this time being the manufactured crisis surrounding the Rockefeller-patented Zika virus – the mainstream press furnishes readers with an example of how Hollywood perception management furthers the purposes of the technocratic planners and prostitutes and the sado-corporate puppet masters retaining their services. “Americans Want Congress to Dedicate Funds to Fight Zika,” declares USA Today’s Susan Page in an article syndicated in newspapers across the country:

“It does scare me,” said Carol Fisher, 56, a nurse from Teaneck, N.J., who was among those called in the poll. “It has the potential to blow up in a worldwide problem with the way people travel. The idea of containing this to a neighborhood in Miami is just ridiculous. It’s almost like that movie Contagion, where it keeps going and going and going.” (The 2011 medical thriller tracked a mysterious and deadly disease that spread worldwide after a Minnesota woman returned from a business trip to Hong Kong.)1

Note that the article quotes a nurse, who, however, resorts to evoking in readers’ imaginations a movie’s scenes of bio-horror rather than actual scientific evidence. The film features a scene of opulent hedonist Gwyneth Paltrow’s skull being sawed open for an autopsy. Are the remainder of the nation’s craniums slated for airing as well? Perhaps in pursuit of just such an end, Page’s panic-mongering USA Today attention-grabber continues:

Three in 10 Americans, including 36% of those who live in the South, the most affected region, say concern about Zika has affected travel or other plans by themselves or family members.

Both Democrats and Republicans were inclined to back additional funding to combat Zika.2

James Spounias, a journalist and skeptic of the medical establishment, wonders if the cure America’s technocrats prescribe for Zika might not be more deleterious than the virus itself:

On Aug. 4, Miami officials ordered the spraying of naled, an organophosphate pesticide, to kill Zika-carrying mosquitos in the artsy Wynwood district of Miami. Wynwood had several individuals who were said to carry Zika. Some local residents, however, were outraged when they discovered that naled is banned by the European Union as causing an ‘unacceptable risk to human health,’ because it is in a class of pesticides that have dangerous side effects. […]

A devastating irony is that birth defects – the very thing that naled is supposed to curb by killing Zika-carrying mosquitos – are a side effect of organophosphates. […]

Is Zika hysteria fueled for propaganda purposes, such as distraction from other events, or to serve as a sort of soft mind-control weapon by keeping people in a perpetual state of terror and fear? Or is Zika mania laying the groundwork for implementation of Big Government, pharma, and chemical solutions that will rip away at our liberty, health, and treasure?3

Whatever the actual nature of Zika’s threat to the public health and civil order of the United States, readers are hereby advised to thoroughly wash after contact with newspapers, David Rockefeller, Gwyneth Paltrow, or any of the various objects peddled through her website.

Rainer Chlodwig von K.

contagion1

Endnotes

  1. Page, Susan. “Americans Want Congress to Dedicate Funds to Fight Zika”. Springfield News-Leader (September 6, 2016), p. 1B.
  2. Ibid.
  3. Spounias, James. “Zika: Cure Worse Than the Disease”. American Free Press vol. 16, no. 35/36 (August 29, 2016), p. 22.

 

Advertisements

Contagion

Steven Soderbergh directs an ensemble cast including Laurence Fishburne (cool, calm, and collected), Matt Damon (heartbroken and desperate!), Gwyneth Paltrow (autopsied!), Kate Winslett (who, sorry to say, does not appear nude), Jennifer Ehle (scientific!), Bryan Cranston (insignificant!), Jude Law (slimy and limey), and Elliott Gould (Elliott Gould!) in this frightening film in the tradition of 1995’s Outbreak. A planet goes literally batshit crazy when a virulent new virus ravages its way from China to the U.S.A., causing a panic and the potential for societal collapse. If nothing else, the flawlessly paced Contagion demonstrates that the inevitable breakdown of civil order, whatever its cause, will not be fun. (Naturally, the disorder also provides an irresistible opportunity to depict ravenous white men rioting and robbing blacks.) A neat and polished product with an effective electronic score to match, this respectable but gruesome (and ideologically servile) entry on Soderbergh’s resume may suffer only from slight dearth of soul.

[WARNING: POTENTIAL SPOILERS]

4 out of 5 stars. Ideological Content Analysis indicates that Contagion is:

9. Pro-gay. The virus at one point mutates into some funky kind of variation on AIDS, reminding viewers of how urgently the world needs a cure for gay cancer.

8. Anti-miscegenation. Unusual interspecies contact has brought the new disease into existence. “Somewhere in the world the wrong pig met up with the wrong bat.”

7. Black supremacist. The juxtaposition of a black doctor (Fishburne) and a white janitor (John Hawkes) says it all.

6. Egalitarian. Pesky “socio-economic factors” affect people’s susceptibility to the plague. When a vaccine finally becomes available, it is rationed by lottery so as to democratize the suffering.

5. Anti-slut. An adulteress (Gwyneth Paltrow) is Patient Zero.

4. Pro-family. Contagion features two touching father-daughter relationships.

3. Green and anti-capitalistic. An American corporation’s blundering program of deforestation displaces a population of oriental bats and so sets off a chain reaction that ironically takes the life of one of the company’s own executives. Black Friday crowds and confusion exacerbate the epidemic. Consumer culture must be regulated or Nature will have its vengeance! Undercutting Contagion’s environmentalist credibility, however, is its illustration of how convenient expendable laboratory monkeys can be during a catastrophic pickle.

2. Conformist. Alternative media receive a condescending send-up and a thrashing from Contagion. Decidedly de-glammed Jude Law portrays Alan Krumwiede (the name speaks for itself), a fringe blogger and crackpot conspiracy theory peddler who accuses the CDC of colluding with pharmaceuticals manufacturers, only to be exposed himself for profiteering on the crisis by stoking fears of the end of the world and defrauding the public by hyping an ineffective wonder drug called Forsythia. The lesson, one assumes, is that dissenters and those who promote distrust of government officials are not to be tolerated. Contagion is thus cronyism-tolerant in seeking to discredit those who would point out the distasteful symbioses between privileged corporations and grasping government.

1. Statist and pro-military. Self-sacrificing agents of the CDC, DHS, CIA, and other agencies contribute to the effort of saving humanity. Great pains seem to have been taken to show that the federal government has learned from the mistakes of Katrina. Laurence Fishburne’s wise technocrat even implies that the central government might do well to subsume all regional autonomies when he frets, “There are fifty different states in this country, which means there are fifty different health departments, followed by fifty different protocols.” In other words, why not just have one gigantic bureaucratized managerial leviathan to handle everything? End credits offer “special thanks” to the U.S. Department of Defense. Kate Winslet leaves the audience with the memorable image of woman-government-agent-as-Christ.

Rainer Chlodwig von Kook

28 weeks laterLong-range predictive programming in play?

The New York Times, from wholly neglecting to report the Holodomor to its readers during the 1930s to touting Saddam Hussein’s alleged stockpile of Weapons of Mass Destruction, does have a history of playing fast and loose and creative with the facts. Now Free Radio Revolution alleges that America’s “Newspaper of Record” is actually staging Ebola victim footage to brainwash the public into accepting what some commentators allege is a wholesale hoax. Red Pill Revolution is of the same mind, and both channels point to what they claim is a comprehensive multimedia campaign to condition the public to accept eventual vaccination. The number of movies with plague and zombie outbreak themes has certainly skyrocketed in recent years, with the likes of Contagion, World War Z, Dawn of the Planet of the Apes, and others ratcheting fears of biological catastrophe. Jew’s Analysis, making specific reference to I Am Legend, has also cried “predictive programming”.

Free Radio Revolution, this writer will concede, does point to some strange and suspicious features of the New York Times video; but it is rather a gigantic leap next to assume on the basis of this and some green t-shirts that the whole outbreak is nothing but an elaborately orchestrated hoax. It may only be that reporters, fearful of venturing into proximity with the disease, but still wanting to score some sensational footage, simply opted to cook it up and pay some African locals to look sick for their cameras. Whatever the case, the theory is interesting and warrants consideration. Is the whole Ebola scare only that – a ruse to make a quick buck for pharmaceuticals manufacturers? International Business Timesfor whatever it may be worth, reports a surge in stock prices for companies working on an Ebola vaccine.

Hat tip, Murder by Media.

antisocial poster

A future film historian compiling a list of the most representative and sociologically reflective horror films of the present decade could do worse than to include Cody Calahan’s feature debut, Antisocial. Redolent of the contemporary fears of intrusive surveillance, vile conspiratorial plots, drones, martial law, cyber-bullying, terrorism, flash mobs, viral epidemics, internet addiction, and civilizational collapse, Antisocial is more than a mere splatter film.

A gaggle of vapid college coeds gather to throw a New Year’s Eve party, unaware that the sudden outbreak of a 28 Days Later-reminiscent rage plague will soon have them barricading themselves inside and suspecting themselves and each other of infection. And what role does ubiquitous website the Social Redroom play in the chaos? “If you’re not on Facebook,” some have suggested, “you’re probably a sociopath.” Antisocial, thankfully, begs to differ with this assessment.

The story wastes little time in getting to the action and suspense, which is fresh while also respectful of genre conventions and traditions, with the themes, scenario, and spare, electronic moments suggesting influences from George Romero, David Cronenberg, and John Carpenter. A guaranteed good time; recommended to horror fans.

4 out of 5 stars.

[WARNING: POTENTIAL SPOILERS]

Ideological Content Analysis indicates that Antisocial is:

6. Anti-Christian. Some respond to the epidemic by holding exorcisms, but the explanation for the plague turns out to be decidedly more sublunary. A newscaster’s wish of “Happy New Year, and may God be with you,” rings hollow given the situation on the ground.

5. Gun-ambivalent. The partiers are frightened by shots from outside, but it is unclear whether these are from the police or private citizens.

4. Pro-slut, pro-miscegenation, and anti-racist. Heroine Sam (Michelle Mylett) is pregnant with some guy’s bastard. Cheap tramp Kaitlin (Ana Alic) is an item with black dude Steve (Romaine Waite). As the two are making a sex video, one of the afflicted bursts in on their fun through a window. The fact that the attacker appears to have a skinhead haircut may be intended subtextually to suggest lingering racism and resentment among whites toward those who choose to mate outside the species.

3. Feminist. “Final girl” Sam, once forced to fend for herself at the end, has little difficulty adjusting to the role of the badass. A bandage she ties around her head gives her the martial appearance of an Apache warrior.

2. Media-critical and anti-corporate. Social Redroom executives have secretly implemented a subliminal pattern designed to induce addictive behavior in visitors. Characters are unsure whether to trust material coming out of the mainstream media and look, rather, to grassroots sources of information available online.

1. Luddite. The title, Antisocial, serves a dual purpose, referring both to the nasty behavior of the afflicted and to the film’s critical stance toward social media. The script is full of apprehensions about a world in which “private life is public knowledge”, cruelty is as easy as clicking a key, and lovers break up remotely, by way of handheld devices.

Appropriately, social media darling Kaitlin and her boyfriend are among the first to develop symptoms. Sam and Jed (Adam Christie), who have deleted their Social Redroom accounts, retain their sanity longer than others. “How do you keep in touch with people?” Kaitlin asks. “I see them in person,” Sam deadpans. Significantly, Sam later repurposes a laptop as a murder weapon.

The internet itself is not necessarily to blame, and an online video actually provides the means of overcoming the crisis. What worries Antisocial, however, is the addictive potential and hive mind pull of ubiquitous sites like Facebook. Fear of mass loss of privacy also looms large, and in one of Antisocial‘s more outrageous moments, Social Redroom users’ bodies function as organic surveillance devices.

 

Get infected by Ideological Content Analysis on Facebook or follow Rainer Chlodwig von Cuck on Twitter or Google+

The zombie apocalypse genre has come a long way culturally since its invention by George Romero with Night of the Living Dead. That prestigious leading man Brad Pitt now stars in a $190,000,000 zombie movie from Paramount says quite enough about how firmly the ravenous hordes of corpses have ensconced themselves as a mainstream phenomenon. World War Z, the resulting film, happily rises above its origins in a pop horror fad and delivers the goods both in terms of suspense and as grist for speculative consideration, with director Marc Forster rising to the occasion and producer Pitt’s extracurricular interest in international philanthropy only slightly marring an otherwise exciting and rewarding adventure. Imagine, in short, 28 Weeks Later, but with more faith in human nature and hope for species survival.  4.5 stars. Recommended, but not for the faint of heart.

[WARNING: POTENTIAL SPOILERS]

Ideological Content Analysis indicates that World War Z is:

10. Moderately pro-castration.  United Nations errand boy Gerry Lane (Pitt) is an exemplar of the sensitive man, a homemaker who cooks breakfast for his wife and daughters. Thankfully, Lane mans up fast when the action necessitates.

9. Anti-police. One officer rudely knocks the driver’s side mirror off Lane’s vehicle, and another is seen participating in the looting of a store, taking no interest in the violence happening around him.

8. Progressive/pro-philanthropy. “Movement is life,” Lane advises in Spanish in the context of trying to convince a Hispanic family to leave the precarious safety of their apartment. Lane resolves the global crisis in Taoist fashion when he discovers that humanity’s hope lies in the emulation of its weakest elements. “Help each other,” Pitt says at the end over images of unfortunate Third Worlders in a moment that would make Bono misty-eyed with pride.

7. Feminist. Tough Israeli soldier Segen (Daniella Kertesz) with her buzz cut and resourcefulness represents the unsexed woman warrior ideal.

6. Pro-family. Lane cares deeply for his wife and daughters and agrees to come out of retirement only with the intention of protecting them.

5. Multiculturalist. World War Z goes out of its way to depict compassionate people of different races showing consideration for each other (cf. nos. 3 and 4).

4. Zionist. The special historical experience of the Jews as a persecuted people has spurred them to a greater level of preparedness than other nations; their protective wall was thus completed just before the zombie apocalypse went global. Look to the Magic Kingdom for guidance, the film seems to say (cf. nos. 3 and 5).

3. Immigration-ambivalent and anti-Arab. World War Z sends some mixed and confusing signals here. Israel, even after the zombie outbreak, continues to allow controlled Palestinian immigration on the principle that every human allowed to come under their protection is one potential zombie less to fight in the future. “It’s too late for me to build a wall,” Lane reflects in reference to America’s situation (zombie or Mexican?) when he witnesses the initial success of the Israeli security system. Unfortunately, the immigrant infiltration proves subversive when the obnoxious wailing of Palestinian refugees on a microphone drives the zombies outside into such a frenzy that they pile on top of each other to scale the wall like an angry ant swarm. Arabs, serving an inadvertent Trojan horse function, are thus equated with the mindless zombies (cf. nos. 4 and 5).

2. Statist/pro-NWO. The valiant internationalists of the United Nations and the World Health Organization are Earth’s only hope.

1. Green. A lame opening credits montage suggests that climate change is responsible for the rabies-like plague ravaging the planet.

[UPDATE (11/18/13): Richard B. Spencer of the National Policy Institute offers his insights into World War Z in an engaging and articulate YouTube talk here.]

IRRUSSIANALITY

Russia, the West, and the world

Muunyayo

Farawaysick for a High Trust Society...

Fear of Blogging

"With enough courage, you can do without a reputation."

Alt of Center

Life. Liberty. And the Pursuit of Beauty

The Alternative Right

Giving My Alt-Right perspective

Logos

| literature |

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Bad People, Strange Times, Good Books

Historical Tribune

The Factual Review

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!