Archives for posts with tag: Trevor Lynch

avengers endgame

At Counter-Currents, Spencer J. Quinn reviews Avengers: Endgame and finds that it “amounts not just to a waste of time, but a profound waste of time: one that can be instructive and meaningful, but certainly not worth the three-hour, fourteen-dollar investment that the filmmakers are asking you to make”; while Trevor Lynch revisits Martin Scorsese’s The Aviator ,”a masterpiece, a work of tragic grandeur encompassing everything that made America both great and terrible, a biopic raised to the level of myth”; and Hugo Adrian considers “Neo as Jewish Messiah in The Matrix Trilogy” in another piece very much worth reading. (I have addressed related themes, albeit in less impressive depth, in my book Protocols of the Elders of Zanuck and in a 2015 post here at Ideological Content Analysis.) In episode 19 of Guide to Kulchur, Fróði Midjord, John Morgan, and Survive the Jive‘s Thomas Rowsell undertake a stimulating appreciation and dissection of the quasi-horror cult classic The Wicker Man, with Greg Johnson next joining Morgan and Midjord for further discussion of The Wicker Man on the latest Counter-Currents podcast. Over at The Unz Review, Max West ruminates on S. Craig Zahler’s epochal offering Dragged Across Concrete – reviewed by me here – as an act of “cinematic trolling”, also drawing on Jungian analysis for an understanding of the movie’s deeper sociological significance. Finally – last but far from least – Brandon Adamson expounds upon the galactic credits and dystopian demerits of Seth MacFarlane’s sci-fi series The Orville in his Autistic Mercury contribution “Cucked in Space”.

Rainer Chlodwig von K.

Rainer is the author of the books Drugs, Jungles, and Jingoism and Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

star wars flop

Disney’s Solo has flopped at the box office – evidence of America’s growing anti-Semitism, no doubt, and nothing to do with the quality of the recent entries in the franchise. Andy Nowicki discusses the Star Wars “anti-canon” here, here, and here. At Counter-Currents, Buttercup Dew finds that the later films “represent a failure of the liberal imagination.” Solo “is basically just a pulp-level caper film,” observes that same website’s Trevor Lynch, who adds, “At one point, it crossed my mind that maybe Disney had confused Han Solo with Indiana Jones.” Further:

Solo has plenty to irritate racially conscious whites. Alden Ehrenreich is twice as Jewish as Harrison Ford. Woody Harrelson’s character has a black squeeze. Space pimp Lando is supposed to be pansexual, but that is simply to say he is an actor. His droid has a sassy black Communist woman trapped inside it. Emilia Clarke’s Qi’ra is supposed to be something completely new: a strong, badass woman. But she’s actually no MaRey Sue. She’s simply treacherous and backstabbing. The leader of the marauders has a face from the National Geographic miscegenation issue. And so forth.

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

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