Archives for posts with tag: Trayvon Martin

Monsters and Men

If someone knew nothing about life on earth, and gleaned all they knew about the New York Police Department from watching Reinaldo Marcus Green’s bitch-burn-downer Monsters and Men – or, as I am dubbing it, Dindus and Dems – that viewer could hardly be blamed for believing that the NYPD exists primarily for the purpose of persecuting innocent people of color. The film is a bit reminiscent of Paul Haggis’s Crash (2004), but updated for the angrier decade of hands-up-don’t-shoot hoaxery. In a story inspired by the death of Eric Garner, a racist white police officer shoots a po innocent brotha jus tryna sell some loosies on the corner – and witness Manny (Anthony Ramos) must now decide whether to keep his head down to protect his family or release his camera phone footage to the internet and risk the repercussions. In another of its threads, Dindus and Dems traces the turmoil experienced by aspiring baseball star Zyrick (Kelvin Harrison, Jr.) who, after experiencing police harassment, finds himself attracted to a troublemaking BLM-style organization despite the expectations of his more conservative father. Thirdly, Dindus and Dems follows black police officer Dennis (John David Washington, who has inherited father Denzel’s voice), who finds himself torn between his loyalty toward the force, his firsthand knowledge of discriminatory policing, and his fellow blacks’ perception of him as a race traitor. It’s worthwhile to watch trash like this once in a while, if only to see just how far removed from reality liberals’ understandings of race relations are to the extent that they take their cues from corporate media messaging – and, as Dindus and Dems makes abundantly clear, we appear to be inhabiting entirely different planets.

2 out of 5 stars. Ideological Content Analysis indicates that Dindus and Dems is:

5. Anti-drug. After being stopped and searched by police officers, Zyrick goes home and flushes a packet of weed down the toilet, presumably because he realizes the trouble he would have been in had the police found the pretext to arrest him. Drug use is also mentioned as a potential barrier to professional athletic success.

4. Pro-AIDS. The community organizing horde that Zyrick joins focuses on black grievances but also advocates for “trans women”.

3. Pro-family. Dindus and Dems presents more than one example of caring fathers. As Zyrick’s trajectory illustrates, however, fathers do not possess ultimate moral authority and are subject to rebellion.

2. Anti-capitalistic – but only disingenuously so. “Look around. Just turn on the TV,” insists a black street corner poetess. “KKK walkin’ ‘round here free. No white sheets. White shirts and ties, all lies. Wall Street lookin’ far too familiar like the cotton fields of Virginia,” she conjures, equating the world of finance with southern plantation culture – rather than, say, kibbutzim. Wall Street would look “far too familiar” to writer-director Reinaldo Marcus Green, who, according to Filmmaker Magazine, slaved “for five years as a director of talent acquisitions in diversity on Wall Street.”

1.Woke. Dindus and Dems is set in the “tight-knit” Bedford-Stuyvesant neighborhood of Brooklyn, which also served as the setting for Spike Lee’s similarly provocative but rather more honest Do the Right Thing (1989). Ironically, this is also the neighborhood where police officers Wenjian Liu and Raphael Ramos were murdered “execution-style” in their patrol car by angry black psycho Ismaayil Brinsley in 2014. As Dindus and Dems would have it, though, it is innocent black men just trying to get home from baseball practice or cruise around listening to Al Green who are hunted by Nazi cops with impunity. “You got a hoodie on, for chrissake,” Zyrick’s father objects before his son heads downtown to participate in a protest – the implication being that this increases the chances that some white person will shoot him a la Trayvon Martin. Inspiringly, the end of the film presents sportsball as a safe and productive means through which blacks can voice their gripes.

Rainer Chlodwig von K.

Rainer is the author of the books Drugs, Jungles, and Jingoism and Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies.

The Ideological Content Analysis 30 Days Putsch:

30 Reviews in 30 Days

DAY SEVEN

Nightcrawler

Beginning with its opening shot of a full moon, Nightcrawler hums with the limitless potential of Los Angeles at night. Jake Gyllenhaal plays professional thief and aspiring entrepreneur Lou Bloom, who shifts lanes into the high-adrenaline world of the nightcrawlers – freelance news cameramen who eavesdrop on police radios and race through the nocturnal streets of L.A. for graphic crime and accident footage – when he gets a taste of the money and the excitement there is to be sucked from human suffering. Gyllenhaal turns in an electric performance as the bizarre and intriguing Bloom, whose drive to get closer to the carnage than his competitors takes him first into situations of questionable ethics and then into outright illegality and endangerment of police officers and the public. The always diverting Bill Paxton appears as a rival nightcrawler, while sexy Rene Russo is a rung on Bloom’s ladder of self-promotion.

5 stars. Ideological Content Analysis indicates that Nightcrawler is:

5. Anti-drug. Among the titles of Bloom’s salacious videos are “D.W.I. crash kills four” and “drunk mom kills biker”.

4. Pro-police. Cops are depicted as brave men who risk their lives to protect the citizenry. California Highway Patrolmen are shown putting themselves in peril to pull a woman from her burning vehicle.

3. Anti-white. “We find our viewers are more interested in urban crime creeping into the suburbs,” says news director Nina Romina (Rene Russo). “What that means is the victim or victim’s preferably well-off – and white – injured at the hands of the poor or a minority.” The suggestion that television news ignores black victimhood in favor of rich whites is preposterous. Many news organizations, in fact, have policies of censoring information about black criminal activity – particularly when whites are the victims. Anybody who casually watches the news knows who Trayvon Martin and Freddie Gray are – and even a misbehaving South Carolina schoolgirl has been receiving a lot of press of late because an insufficiently obsequious white cop yanked her out of her desk – but how many Americans could name a single white person murdered by a congoid within the last five years?

2. Media-critical and anti-capitalistic. Nightcrawler presents the television news industry as the worst, most nihilistic manifestation of capitalism, with human drama and suffering commoditized and exploited for titillation and ratings. Bloom blurs the line between objective documentary reportage and filmmaking when he drags a crash victim’s body to get a better shot.

1. Anti-Semitic! Bloom is an icy, emotionless freak who thinks of every situation in terms of potential profit and exercise of control. Even his sexual come-on to Nina Romina is conceived as an impersonal business negotiation. The viewer is told that Romina resists unspecified sexual demands from Bloom, which suggests that he may have deviant tastes. He exploits the gullibility of assistant Rick (Riz Ahmed) and shows no pity or human interest as he lies bleeding in a street.

Rainer Chlodwig von Kook

Have shopping to do and want to support icareviews? The author receives a modest commission for any Amazon purchases made through this link: http://amzn.to/1Ql2ML3

With a structurally challenged script that never should have gotten the green light, Leave is a tedious exercise in cleverness for its own sake, pulling an eleventh-hour Identity-style plot twist that renders pointless every bit of preceding action and (living up to its title) leaves a sour aftertaste of having been conned. A writer (Rick Gomez) heads into seclusion to do some work and think through a recurring nightmare. Along the way he has a tense Duel-style encounter on a desert highway and soon thereafter meets a man (Frank John Hughes) who claims to be his long-dead brother.

If only Leave had focused on ripping off Duel, it at least might have had some entertainment value; but writer-actors Gomez and Hughes would prefer to subject viewers to their reflections on the meaning of stomach cancer and the powerful therapeutic functions of memory. Gomez, with his furry, somnambulant face and staring eyes, does nothing to enliven Leave, nor does antagonist (?) Hughes, his facial resemblance here to a young Jack Nicholson notwithstanding. Conspicuously billed Bryan Cranston of Breaking Bad fame has only a throwaway cameo as a flamboyantly dressed Brit at a cocktail party.

2 of 5 possible stars. Ideological Content Analysis indicates that Leave is best left alone and that it is also:

3. Prejudiced! A hoodie is as always the cloak of evil intentions, so that Leave perpetuates the insensitive stereotype that would take innocent Trayvon Martin’s life.

2. Anti-redneck. A Hank Williams song playing in a rustic diner might just as well be a satanic chant in the ears of city folks. Also, the service is bad.

1. Anti-religion/anti-Christian. The writer recalls losing his faith after being beaten in a Catholic school.

IRRUSSIANALITY

Russia, the West, and the world

Muunyayo

Farawaysick for a High Trust Society...

Fear of Blogging

"With enough courage, you can do without a reputation."

Alt of Center

Life. Liberty. And the Pursuit of Beauty

The Alternative Right

Giving My Alt-Right perspective

Logos

| literature |

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Bad People, Strange Times, Good Books

Historical Tribune

The Factual Review

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!