Archives for posts with tag: Top Gun

In the not-too-distant future aliens invade and attempt to conquer the earth.  Humanity won this war, we are told, but only at the cost of our planet’s devastation.  Now a mere cleanup crew of sorts remains to maintenance the drones and machines that harvest water energy in order for the rest of the world’s population to make its new home in space.  Tom Cruise plays Jack, who, along with partner and lover Victoria (Andrea Riseborough), is due to leave the earth in a matter of weeks after servicing some equipment and picking off a few “scavs”, alien remnants that pilfer supplies and sabotage the energy works.  To his surprise, however, he learns that he and Victoria are not alone, and, still more shocking, that his mission and perhaps even he himself may conceal a sinister purpose.

A superlative science fiction adventure, Oblivion also works as an encapsulation of Tom Cruise’s career thus far, his character here alluding to previous roles with his enthusiasm for sports (as in All the Right Moves and Jerry Maguire), daredevil flying skills (think Top Gun), and brave stand against extraterrestrial invaders (cf. War of the Worlds). Cruise is particularly handsome and rugged as Jack, and has not one but two sexy international love interests in Andrea Riseborough and Olga Kurylenko.  The visual design of Oblivion is an appealing combination of futuristic sterility and earthy grime and decay; and the soundtrack is also strong, with the drones, which resemble flying, spherical R2D2s, actually contributing a quasi-musical element with their intimidating electronic blares.  Surprising given its title and the bleakness of the scenario is that Oblivion manages to deliver a satisfyingly happy ending, so that the film is highly recommended and particularly in the big screen experience, where its special effects and scope can be properly appreciated.

4.5 stars.  Ideological Content Analysis indicates that Oblivion is:

6. Multiculturalist/anti-clone.  Morgan Freeman leads the resistance and gets to play the sacrificial Negro.  As in Life of Pi, audiences are warned of the potential horror of a completely homogenous Caucasian population.

5. Green-ambivalent.  While Jack enjoys the rustic zero-technology life, the film acknowledges that alternative energies are a scheme of the New World Order.

4. Mildly pro-miscegenation.  Cruise’s involvement with Eurasian-looking Ukrainian Olga Kurylenko is a borderline case.

3. Luddite and specifically anti-drone.  Though drones are convenient and efficient and one even comes to Jack’s aid against the scavs, the things are only as trustworthy as their programmers.

2. Pro-liberty/pro-gun.  Sykes (Nikolaj Coster-Waldau), after defending himself against a drone, poses picturesquely with his gun in front of the Liberty Bell.

1. NWO-alarmist/antiwar.  Jack’s employers, the centralized bureaucracy controlling everything, reside in an ominous spacecraft in the shape of an inverted pyramid.  The Statue of Liberty is a ruin, freedom having been destroyed along with the earth in the natural course of war.

Flippantly violent after the Tarantinoid tradition and frenetically ADHD-afflicted and visually gimmicky in the Guy Ritchie mold – with whooshing split screens, speed-up/slow-down action, and more than one trip to the old follow-the-bullet-in-slow-motion trough – Cat Run is a high-energy Euro-flavored action comedy graced with fine performances and a few good laughs but ultimately let down by its director, John Stockwell (Top Gun‘s Cougar, not the CIA whistleblower), its beat machine editing, and its pervading air of triviality and gratuitous vulgarity.

When upscale prostitute Cat (Paz Vega) witnesses U.S. Senator Bill Krebb (Christopher McDonald, whose face has always connoted an intelligent sleaze) murdering one of her coworkers at a decadent party thrown by arms dealer Branko Jakovic (Branko Djuric), she flees with the security footage and soon has corrupt police and ex-MI6 assassin Helen Bingham (Janet McTeer) on her trail.  Meanwhile, two dweeby American expatriates, wiz kid and bad cook Anthony (Scott Mechlowicz) and sex-obsessed Julian (Alphonso McAuley) have opened an amateur detective agency and hope to establish their credibility by locating Cat before anyone else can beat them to her.

Janet McTeer, whose Helen is a darker version of Helen Mirren’s character in Red, is, along with lovable comedic talent McAuley, one of the two biggest incentives to watch Cat Run.  Every laugh in the film belongs to McAuley, who has something of the energy of a young Michael Winslow or Richard Pryor; and McTeer is charming whenever the gruesome script and costuming allow it (with her cleavage utilized to commendable effect in the film’s climactic action sequence).  Another noteworthy component of the cast is Europe itself, with several beautiful locations lending the story a touch of class.

Ultimately neither horrible nor noteworthily good, the film earns itself a modest 3 out of 5 possible stars.  Ideological Content Analysis indicates that Cat Run is deeply conflicted and:

12. Egalitarian.  Bleeding-hearted Anthony sympathizes when Cat steals his car, saying in earnest, “She must really need it.”

11. Anti-drug.  Amputee secretary Dexter lost his first arm after using a dirty needle.

10. Racist!  Enter into evidence the segue from Julian to a chimpanzee.

9. Anti-Christian.  “I thank God every day for what happened,” Dexter says after explaining his disabilities and recounting how his wife was eaten by a shark.  His faith fails to save him, however, when Helen lops off the arm with which he brandishes his Bible.  Schubert’s “Ave Maria” grotesquely accompanies this scene.

8. Antiwar.  Neoconservative fearmongering with respect to Iran is a scam driven by defense contractors and greedy politicians.

7. Selectively xenophobic, with Slavs depicted as seedy and untrustworthy.

6. Multiculturalist/pro-miscegenation.  White Anthony and black Julian are best friends, and Julian has “saved him from many brutal beatdowns.”  Julian charms European women and at one point lifts his kilt to reveal his cartoonishly gigantic penis.  All of his ex-girlfriends appear to be white.  Polyglot black amputee and communications specialist Dexter has a Purple Heart and valuable services to offer despite his disability.

5. Anti-police.  The Montenegran police are all in the employ of Branko Jakovic.  One policeman fails to report an abandoned car, hoping he can sell it instead.

4. Anti-family/anti-marriage.  Anthony has moved to Europe to avoid his meddlesome family.  “My father used to beat me with a belt and make me sleep in the barn with pigs,” Cat recalls.  Evil arms dealer Jakovic is married with children.  Julian recalls a college dean whose wife shot him in the face.

3. Feminist/pro-castration.  Cat Run appears to fancy itself highly original in repeatedly depicting a woman getting the best of the various men who confront her: kicking their testicles, shooting them, punching them, stabbing them, blowing them up, making snooty quips at their expense, amputating limbs, and even removing a penis with a cigar cutter.  Helen also effortlessly relieves an overburdened porter of one of the suitcases he is able to carry only with difficulty.  Wimpy heroes Anthony and Julian are favored over macho men, who meet with bloody and painful demise.  A pornographer is an “exploiter” of women and dies the most horrible death.

2. Pro-slut/pro-bastard.  Cat Run presents a sympathetic portrayal of whore and single mother Catalina.  “A blowjob provider?  That would be like calling Caravaggio a housepainter.”

1. State-ambivalent.  Senator Krebb is a murderous lecher, alcoholic, and warmonger.  Intelligence agents delight in torture and mayhem (“We’ll always have Angola”) – which, however, seems to be intended as entertaining, giving rise to an ambiguity in the film’s attitude toward state crimes against humanity.  Cat Run is bizarrely indulgent toward ex-MI6 psycho Helen, who wears a ghoulish pendant made from the teeth of an Arab she interrogated, but is celebrated as a sexy and empowered heroine whose sadistic mutilation and killing of innocents (and implied willingness to murder even babies) are apparently forgivable and negligible in the grand scheme of things because she is “killer cool”.

IRRUSSIANALITY

Russia, the West, and the world

Muunyayo

A Vote Will Never Negate Nature...

Fear of Blogging

"With enough courage, you can do without a reputation."

Alt of Center

Life. Liberty. And the Pursuit of Beauty

The Alternative Right

Giving My Alt-Right perspective

Logos

| literature |

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Bad People, Strange Times, Good Books

Historical Tribune

The Factual Review

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!