Archives for posts with tag: The Matrix Reloaded

The Ideological Content Analysis 30 Days Putsch:

30 Reviews in 30 Days

DAY EIGHTEEN

Captain-America-The-Winter-Soldier

Just like the Second World War dinosaur he is, “fossil” super soldier Steve Rogers is resurrected Jurassic Park style and unleashed on the twenty-first century to once again wreak havoc for the sake of the planet’s “freedom”. Actually not nearly as bad as this writer assumed it would be – and pretty exciting, actually – Captain America: The Winter Soldier shows slightly more nuance than one tends to expect from the public’s periodic dose of warmongering World War 2 fetishism. Action sequences and special effects are top-notch, with one particular highway throwdown recalling the epic mayhem of The Matrix Reloaded, and costar Scarlett Johansson – herself a special effect of sorts for those with a taste for the tawdry – makes a peppery foil for wholesomely handsome lead Chris Evans.

4.5 out of 5 stars. Ideological Content Analysis on Captain America: The Winter Soldier indicates that it is:

7. Feminist, showcasing the talents of the obligatory “kick-ass girl” in S.H.I.E.L.D. agent Scarlett.

6. Pro-gun. Nick Fury tells an anecdote about how his grandfather carried a pistol for protection in a rough neighborhood.

5. Multiculturalist. Sassy Samuel L. Jackson diversifies the role of Nick Fury. Rewriting history by ignoring the fact that armed forces were segregated during the Second World War, a Smithsonian exhibit shows Captain America with his fellow “Howling Commandos”, among whom are a black and an Asian.

4. Pro-miscegenation. Cap exchanges spit with greasy-lipped Jewess Scarlett.

3. State-ambivalent, accepting the basic benevolence of the intelligence community, but warning against the encroachments of domestic surveillance. The script is also tolerant of illegal black ops, with Fury supposedly having “saved the lives of a dozen political officers” with an unauthorized incursion on foreign soil. The trouble is that this sort of thing has gotten out of hand and given rise to unaccountable deep state structures.

2. War-ambivalent. Cap is uncomfortable with Nick Fury’s neocon philosophy of preemptive war. “We can’t afford to wait,” says Fury, who invokes “New York” (i.e., 9/11). “We’re gonna neutralize a lot of threats before they even happen.” Cap’s sidekick Sam (Anthony Mackie), who now works as a counselor for returning servicemen, reflects on the War on Terror: “I had a really hard time findin’ a reason for bein’ over there, you know?” The movie’s ostensibly anti-war sentiments, however, are revealed to be disingenuous by its endorsement of the myth that America “saved the world” in World War 2. For the final battle, Captain America ditches his drab newfangled threads for the bright primary colors of his glory days fighting the Third Reich, the idea being that this return to the ideals of the brainwashed “Greatest Generation” is the spirit that will renew the country’s greatness.

1. Zionist. Hollywood goes full Alex Jones in Captain America: The Winter Soldier, with secret Nazi conspiracies, Orwellian control grids, and MKUltra-style mind control programs enlivening the plot, which concerns crypto-fascist S.H.I.E.L.D. faction Hydra and its attempt to implement a “New World Order” of total government mastery over the populace through a preemptive dissidence detection algorithm. S.H.I.E.L.D. is an interesting name for a globalist action force for good, considering that “Rothschild”, the name attached to the infamous Jewish banking octopus, translates from the German as “Red Shield”. In Captain America, S.H.I.E.L.D. is well-intentioned and ruined only by Hydra, the Nazi “parasite” in the intelligence community’s midst. This is clearly a boldfaced reversal of ethnic realities, and the movie even appears to allude to this Jewish ruse, with the Jewiest Jew of them all, Garry Shandling, putting in a comedic cameo as a crypto-fascist who furtively whispers “Hail Hydra” to one of his associates. All of this, of course, will fly over the heads of the vast majority of the goyim who watch it just to be thrilled by the comic book action.

Rainer Chlodwig von Kook

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Anthony Zerbe and Keanu Reeves talk encrypted shop in The Matrix Reloaded.

Anthony Zerbe and Keanu Reeves talk encrypted shop in The Matrix Reloaded.

In the Jewish supremacist film The Matrix Reloaded (2003), Neo (Keanu Reeves) has a ruminative chat with Councilor Hamann (Anthony Zerbe) about the relationship between man and machine in Zion. In addition to references elsewhere in the film to sheep and steak (i.e., goy cattle), the subtext of Jewish superiority becomes clear in these characters’ attitudes toward the subservient machines that sustain their people. Neo notes in passing that “there are no young men on the Council” to which Hamann belongs, so that the latter’s words are to be understood by the redpilled viewer as the pronouncements of an Elder of Zion.

Elder: I like to be reminded this city survives because of these machines [i.e., the Shabbos goyim]. These machines are keeping us alive while other machines [i.e., anti-Semites and Muslims] are coming to kill us. Interesting, isn’t it? The power to give life and the power to end it.

Neo: We have the same power.

Elder: I suppose we do, but [. . . ] I can’t help thinking that in a way we are plugged into them.

Neo: But we control these machines, they don’t control us.

Elder: Of course not. How could they? The idea is pure nonsense, but it does make one wonder, just what is control?

Neo: If we wanted, we could shut these machines down.

Elder: That’s it, you hit it. That’s control, isn’t it? If we wanted, we could smash them to bits. Although, if we did, we’d have to consider what would happen to our lights, our heat*, our air.

Neo: So we need machines and they need us.

In a later scene, Neo meets the Matrix’s anti-Semitic “Architect” (German-born actor Helmut Bakaitis), who explains as an image of Hitler flashes across several monitors in the background that he had to redesign the Matrix to account for the troublesome behavior of humans/Zionists. The Matrix with which the viewers of films like this one find themselves confronted is, of course, of Jewish provenance rather than anti-Semitic, and the robotic Sentinels that detect and destroy human dissent are more likely to take the form of organizations like the ADL and SPLC rather than the National Socialist German Workers Party.

The Matrix endures . . . for now.

Rainer Chlodwig von Kook

*Ronald L. Eisenberg explains that, “In the Mishnah, the Rabbis enumerated 39 major categories (with hundreds of subcategories) of labor that were forbidden (avot melakhah) based on the types of work that were related to the construction of the Tabernacle in the wilderness, which ceased on the Sabbath (Shab. 7:2). Activities that cannot be performed on the Sabbath are basic tasks” such as “kindling a flame (lighting, extinguishing)”. These are reserved for the Shabbos goy.

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