Archives for posts with tag: The Frozen Ground

Reclaim

Two rich white liberals pay $100,000 (!) for the dubious privilege of adopting a Haitian refugee girl (Briana Roy) on the black market – only to have her cruelly stolen from them by John Cusack! – in 2014’s Reclaim, which actually develops into a pretty decent thriller if viewers can overlook the epically poor taste of its protagonists, played by Ryan Phillippe and Rachelle Lefevre. Jacki Weaver, whom cinema slummers might remember as Lee Harvey Oswald’s mother in the dully dishonest Parkland (2013), plays another psycho bitch in this film as the ringmistress of the fraudulent adoption agency. Cusack capably extends his range as the scariest of the villains, playing a killer with altogether different mannerisms and background than the man he portrays in The Frozen Ground (2013). Some grimy Puerto Rican location shooting contributes production value, as well.

[WARNING: POTENTIAL SPOILERS]

4 out of 5 stars. Ideological Content Analysis indicates that Reclaim is:

5. Anti-war. Cusack is a mercenary and an Iraq war veteran whose nihilism, transposed from overseas war zones, draws attention to the unsavoriness of doing business with opaque entities like Blackwater.

4. Teetotaler. Phillippe’s drinking once led to a personal tragedy, so both he and the missus avoid the booze.

3. Pro-miscegenation. Cusack consorts with an icy Asiatic sphinx (Veronica Faye Foo), expressing a preference for Puerto Rican Chinese girls.

2. Anti-gun. A scare comes at the end of the movie when the precious little refugee girl picks up a gun and points it at her adoptive parents. Rather than cautioning Caucasians as to the perils of parenting congoids, however, this scene is intended to vilify the pistol, associating it with the dangers posed to children by private gun ownership.

1. Pro-immigration. Reclaim was made for two reasons, neither of which is the film’s stated purpose of raising awareness about the human trafficking crime wave. The first, of course, is to make some shekels. The only other reason this movie was made is to get whites accustomed to the idea of leaving their civilization in the hands of a posterity that bears zero resemblance to them. Heaven forbid that Europeans procreate! Stupid viewers are invited to find inspiration in the idea of the good-hearted Americans swooping in to rescue the precious pickaninny from Third World squalor and whisk her off to Chicago, where she will no doubt enrich the neighborhood and grow up to energize the local economy. The selection of a French-speaking Haitian girl is deliberate, bestowing upon the character a deceptive veneer of Europeanness and class to convince the audience that blacks and other genetic undesirables can become whites through environmental osmosis.

Rainer Chlodwig von K.

the-frozen-ground-poster-artwork-nicolas-cage-john-cusack-vanessa-hudgens-small

The first half of this Nic Cage serial killer thriller is so uninspired that it comes as a bit of a shock to realize an hour or so into its run time that it actually packs some fair suspense. Cage is, as always, easy to watch and perfectly adequate in his role as an Alaskan state trooper investigating a series of gruesome hooker murders, though fans of his more outrageous performances may be disappointed by his relatively sedate turn here. It is Cage’s Con Air castmate John Cusack, however, here cast against type as the seemingly mild-mannered murderer, who constitutes the primary reason to see The Frozen Ground. The initial interrogation and confrontation between Cage and Cusack is especially electric and easily the strongest scene in the film. Also featured prominently is Vanessa Hudgens as a revolting prostitute targeted by Cusack and coddled by paternally protective Cage. Rounding out the cast are Breaking Bad‘s Dean Norris in a frustratingly small supporting role and rapper 50 Cent looking somewhat out of place as a pimp on ice. The Frozen Ground is no Angel or Vice Squad, too serious in its approach to its true crime subject matter to take full advantage of exploitative potential; but, approached with appropriate expectations, it might be worth a Redbox rental one of these chilly nights.

3 out of 5 stars. Ideological Content Analysis indicates that The Frozen Ground is:

6. Racist! Fiendishly perpetuating the black pimp stereotype. Even if it is based on a true story, truth is no excuse for racism!

5. Anti-gun. Cusack is a hunter and Hudgens relates that, when she saw all the animal heads mounted on his walls, she knew there was no point in begging for mercy.

4. Anti-drug. Recreational pharmaceuticals solve nobody’s problems. Cage’s sister died in an accident caused by a drunken driver.

3. Anti-Christian. The killer, whose middle name is Christian, is, appropriately enough, a Christian, as an FBI psychological profile has predicted. One senses that his family’s emotional life is stultified by the strictures of his faith, which has probably also contributed to his vicious attitude toward fallen women.

2. Anti-family/anti-marriage. Like American Beauty, Breach, and countless other subversive films, The Frozen Ground is eager to reveal the conservative family man to be a closet pervert and a volatile maniac. Cusack’s wife is clearly a silent sufferer in an unhappy marriage. Hudgens, child of a teenage mother, reveals that she was molested by an uncle.

1. Slut-ambivalent. The film can hardly be accused of prettifying the life of a hooker, and it graphically illustrates the danger of hawking sloppy thousandths on the mean, moose-prowled streets of Anchorage, Alaska. The movie stumbles onto thin dramatic ice with its attempt to drum up audience sympathy over the rape of a shameless whore, however, and irritates with its perpetuation of the popular misconception that streetwalkers’ lives have value.

IRRUSSIANALITY

Russia, the West, and the world

Muunyayo

Farawaysick for a High Trust Society...

Fear of Blogging

"With enough courage, you can do without a reputation."

Alt of Center

Life. Liberty. And the Pursuit of Beauty

The Alternative Right

Giving My Alt-Right perspective

Logos

| literature |

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Bad People, Strange Times, Good Books

Historical Tribune

The Factual Review

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!