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jeffries

Donald Jeffries

Conspiracy investigator and Hidden History author Donald Jeffries, in a recent column for American Free Press, offers a few remarks on the current state of Hollywood and television that warrant quotation. “While once prevalent genres like westerns and variety shows have come and gone, programs about police officers still hold a prominent place in every television network’s schedules,” Jeffries writes:

Much as the conventional left only protests police brutality when it can be portrayed in predictable “racist” terms, Hollywood generally adores our police forces. The popularity of the television show Cops attests to just how successful this strategy has been. On that program, the officers obviously know they’re being filmed, and yet their misconduct still shines through clearly. On CSI types of modern shows, the always suitably diverse police officers are honest, upstanding public servants. They are also laughably portrayed as brilliant detectives. In real life, cops are in some cases incompetent. For instance, during the time of the D.C. sniper shootings the perpetrators had to call the FBI hotline repeatedly to point out that there was a note they’d left tacked to a tree at a crime scene, which the investigators had somehow missed.

Onscreen, all street criminals are white. Often they seem to have walked off the set of a 1930s Warner Brothers picture. In real life, crime in every big city is virtually white-free. Black and Hispanic gangs rule that turf. But not in Metropolis or Gotham City. You’ll never see Spider-man or Batman fight a Blood or a Crip – or even a Hell’s Angel. But nearly every judge or police commissioner will be black. It’s maddeningly predictable and unrealistic, but it fits into the paternalistic, condescending attitude establishment “liberals” have toward minorities, especially blacks.1

If you didn’t get the memo before, you’ve got it now, Hollywood. We want Morgan Freeman selling crack on a corner in the next Batman!

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

Endnotes

  1. Jeffries, Donald. “Hollywood Operating in La-La Land”. American Free Press vol. 18, no. 41-42 (Ocotober 8-15, 2018), p. 27.

 

I’m impressed with Andrew Garfield, who has exactly the geeky charm and wiry physique I remember Spidey having in the Marvel comic books.  The action sequences in this franchise reboot are adequate, but the Lizard, though played capably in human form by Rhys Ifans, is never quite convincing in full computerized mutation.  For the most part, though, The Amazing Spider-Man is as fun and exciting as might be hoped.  The casting of Martin Sheen and Sally Field as Uncle Ben and Aunt May is inspired, and a 2012 Miniskirt Queen of Aryan Purity Award goes to Emma Stone as irresistibly cute love interest Gwen Stacy.  Denis Leary, meanwhile, seems to have made a graceful transition to playing grumpy, older authority figures.  4 of 5 stars.

The Amazing Spider-Man is mostly politics-free fun.  Ideological Content Analysis, however, indicates that this film is:

7. Multiculturalist.  A diverse team of crane operators helps Spidey at the end.  Also, we learn that his famous mask was in fact inspired by a Mexican luchador’s.

6. Antiwar.  An executive at the unscrupulous Oscorp, which is an arms manufacturer in addition to its medical interests, intends to utilize a veterans’ hospital’s patients as guinea pigs for limb regeneration experiments – a reminder of the many mutilated bodies coming back from Afghanistan and Iraq.

5. Persistent in perpetuating the idea that angry white males pose a terrorist threat.

4. Anti-gun.  Guns, even when employed responsibly by police (which is not usually the case in this film), are ineffective.  One innocent character dies from a gunshot.

3. Genetic research-ambivalent.

2. Pro-vigilante/anti-police.

1. Leftist.  Uncle Ben, explaining to Peter his absent father’s moral philosophy, sums it up as, “Not choice – responsibility,” which captures the liberal mentality in a nutshell.

This has been a public service announcement of the Committee for Raising Emma Stone to a Pedestal for a Better View.

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