Archives for posts with tag: Sorority Babes

Working Girls

Working Girls (1985) ****1/2  A humorous, high-quality anthology film about the different incarnations of prostitution – from call girl action to nagging housewifery – Working Girls is tastefully photographed and benefits immensely from featuring some the biggest and most charismatic names in the business.  Ron Jeremy gets things off to a harried start, with spouse Ashley Welles pestering him for a kitchen renovation and using anatomical leverage to pry an agreement out of him.  Jamie Gillis is good as a cocksure male prostitute, and Patti Petite is photogenically limber as a wife trying to squeeze a raise for her husband out of his horny boss (Mike Horner) at the office.

Especially notable is one of the segments directed by “David McCabe” (Sorority Babes in the Slimeball Bowl-O-Rama creator David DeCoteau), in which Sheri St. Clair plays a prostitute who ties mustached wimp Robert Bullock to a chair at his request and then proceeds to display her body, finger herself, and talk dirty in her distinctively scorching, slightly scary, and awe-inspiring fashion.  The concluding vignette, “Kinky Sex”, also directed by DeCoteau, is really just a scatalogical joke, and one of many unusual situations that set Working Girls apart from the rest of the trash on the corner.  Recommended to 80s porn fans and those interested in seeing DeCoteau’s earliest directorial work.

Air Erotica

Air Erotica (1988) **1/2  This is a compilation of essentially plotless vignettes about airline pilots, passengers, and stewardesses.  Big names like Herschel Savage and Taija Rae appear (the latter in her less interesting but still sexy slimmed-down and blonded mode of the late 80s), but none of the segments elicits much excitement with the exception of Sheri St. Clair’s irritatingly brief turn as a horny passenger so hot she has to let Tom Byron take her into the airplane bathroom to plug her variously.  St. Clair commands more nasty and sinister magnetism than all of the other performers combined, and Air Erotica might have been saved by having the sense to include several segments featuring her; but what follows her encounter is a series of tolerable but pedestrian scenes of people screwing, licking, and sucking.

Taija Rae looks a little bored in her threesome with Chelsea and Kevin James, whose Nazi superman looks, protruding veins, and noisy breathing interfere with any eroticism his two scenes might have had.  Rachel Ashley is fine as a slut servicing coke-snorting businessman Nick Random, whose goofy pink neckerchief, gold necklaces, and open shirt showing his hairy chest provide one of the film’s amusements.  Overall, however, Air Erotica suffers from what might best be called a sense of jet lag, of bodies not always completely present, with boring music doing little to enliven the proceedings.  For hardcore fans of the performers only.

David DeCoteau, along with Fred Olen Ray and Jim Wynorski, was one of the more heroic and endearing directors to emerge in the era of VHS.  He is especially noteworthy to horror fans of a nostalgic bent for having made two low-budget wonders, Sorority Babes in the Slimeball Bowl-O-Rama and Nightmare Sisters, which brought together Michelle Bauer, Linnea Quigley, and Brinke Stevens, the three premier scream queens of the period.  Now, in 1313: Cougar Cult, the four great screen queens – Bauer, Quigley, Stevens, and DeCoteau – are reunited for one more roll in the trash, this one about a trio of supernatural pagan sisters who turn into cougars – literally! – and devour the young men they succeed in luring into their tackily decorated Malibu mansion.

Photogenic Ryan Curry, Bryce Durfee, and Jack Kubacki star as college students who show up (and end up showing a lot) to take jobs as the cougars’ houseboys.  There is something resembling a plot in 1313: Cougar Cult – something about ritual sacrifices to please an ancient Amazonian deity – but the film is really just an exercise in bisexually friendly cheesecake, with Bauer, Quigley, and Stevens slinking around and acting horny, and lots of long, lingering shots of young actors washing their sculpted torsos or sensually writhing in sleep.  Harboring no illusions about what it is, the film is at times playfully self-deprecating – and even annoyingly so when the sisters’ transformation into their carnivore forms is depicted by the cartoonish superimposition of cougar heads over the actresses’ faces.

1313: Cougar Cult will appeal primarily to two mostly separate groups: those who enjoy ogling half-naked young men and those who fondly remember the scream queens’ work in the low-budget video gems of the 80s and early 90s.  It will, unfortunately, frustrate many in this latter group because 1313: Cougar Cult is ultimately little more than a gigantic tease.  For having a premise built on three evil middle-aged women’s insatiable lust, the film is remarkably tame and devoid of explicit heterosexual action.  Bauer, Quigley, and Stevens are very sexy women, their vintage notwithstanding; and while, having reached a certain stage in their careers, they may be understandably reluctant to undress or engage in simulated sex onscreen (note: do yourselves a favor and see Assault of the Party Nerds), the fact that nothing of the sort appears in 1313: Cougar Cult is still a pretty grievous disappointment.  What but sadism, for instance, could motivate a film in which Brinke Stevens informs a young stud he will have the pleasure of oiling and massaging her – and the viewer never even gets to see it?

Most puzzling of all, perhaps, is that whole decades had to pass before the three venerable cuties could be brought back together.  That occasion, sadly, contents itself with being coquettish and uber-campy rather than satisfyingly sleazy or even vaguely horrific; but no Amazonian deity dictates that the actresses’ collaborations have to stop with this one.  They will, if the gods of video nerd garbage are benevolent, be making more films as a trio in the not-too-distant future.  Meanwhile, fans must content themselves with the picturesquely animal lust on Stevens and Bauer’s faces in this film as they softly paw Bryce Durfee’s body – that and the gratifying moment when Quigley, speaking in a ludicrously demonic voice, commands the audience, “Come to Mama.”

3 of 5 possible stars – one apiece for each of these enticingly mature scream queens.

Ideological Content Analysis indicates that 1313: Cougar Cult is:

5. Anti-state.  The cougars pay their manservants cash, seeing no reason to involve the government in their private transactions.

4. Drug-ambivalent.  Smoking – smoking cigarettes, that is – is bad for your health.

3. Innocently class-conscious.  The decadent rich prey upon the weak, sexually and as cannibals.

2. Feminist.  Women give the orders.

1. Hedonistic.  The human body is beautiful and a source of fun.  The fun, furthermore, should be prolonged for as long as humanly or cougarly possible.

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