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The Ideological Content Analysis 30 Days Putsch:

30 Reviews in 30 Days

DAY TWENTY-FOUR

Pussy Riot

Daryl Hannah ought to be tarred and feathered for agreeing to narrate this piece of shit, positively one of the worst, most hideously ugly and unappealing documentaries of the decade. Perhaps best viewed as an inadvertent comedy, complete with Jewish handwringing about corruption and the need to uphold the Russian constitution, its robust aroma is made the more pungent by slapdash subtitles, bad acting, and tiresome samples of Pussy Riot’s monotonous, wailing “music”. During the course of this particolored cavalcade of tedium, the saints of Pussy Riot are likened to Elvis Presley, Joan Baez, John Lennon, Joan of Arc, and even Michelangelo – and without the slightest indication of irony.

The “evil man” Putin, on the other hand, is compared to Joseph Stalin, Tsar Nicholas I, and Francisco Franco, and repeatedly depicted as a “fascist”. “This is a country where people die from dissent,” charges Masha Gessen. Performance artist Oleg Kulik has the most sidesplitting lines of this circus, funnier for being delivered with the utmost earnestness: “We are in the heart of a Satan and the heart is beating. Black blood is pumping like oil. The girls have poked the devil’s eye and the devil screamed ‘I am God!’ And the girls say, ‘No, you’re not God. You’re the devil,’ so it’s an argument between them. Is he a devil, or is he a God? It is an existential argument.”

Another chuckle comes from the sight of young women in rainbow-colored terrorist ski masks accompanied by the assertion that a rising generation of young Russians has a “desire to live in a normal country.” “Thank you, Madonna! Thank you, Red Hot Chili Peppers!” the girls exclaim for the solidarity shown them by the American entertainment establishment. The group needs all the help it can get when faced with a dictator like Comrade Putin. One of the silliest statements in the film is the weepy telling of how the members of Pussy Riot “were arrested in a dark street in Moscow.” Imagine the shame of the thing! Arresting these world-famous artistes in a street that was not even properly lighted!

Pussy Riot: The Movement earns a star and a half for its unintentional humor. Ideological Content Analysis, meanwhile, indicates that this pile of Jew dookie is:

4. Pro-AIDS. Jewish faggot Masha Gessen, who has admitted that her advocacy of “gay marriage” has the purpose of destroying the institution of matrimony, is one of the wholesome voices of anti-authoritarian courage featured in the documentary. The Pussy Riot girls are also shown cavorting and howling about homosexual “rights”.

3. Anti-Christian. “Sexism, persecution, and torture” follow from church involvement in state affairs. The Russian Orthodox hierarchy is portrayed as corrupt, oppressive, and avaricious. The entire film celebrates the Pussy Riot sluts for their desecration of Christ the Savior Cathedral, which, one of the interviewees suggests, may come to be known to history as Pussy Riot Cathedral. Francis Carr Begbie of The Occidental Observer adds:

Pussy Riot is also supported — in a circuitous route — by the Soros-funded National Endowment for Democracy. Could it also be that support of groups like Pussy Riot is part of a parallel Jewish strategy of debasement and corruption of Christian morality? As Professor Nathan Abrams wrote, the very prominent Jewish involvement in porn was a result of the “atavistic hatred of Christian authority” and a desire to “weaken the dominant Christian culture.”  Is it so much of a stretch to view Jewish support of these groups as part of the same agenda?

2. Feminist/pro-slut, with Russia depicted as some sort of hell hole of sharia-style patriarchal totalitarianism where women are obligated to cover their heads in shame. “It’s an act of love among dead nature to show that there is at least something living in this country,” Kulik says of a public orgy in which one of the Pussy Rioters participated.

1. Zionist, smearing Putin and Russia in accordance with neoconservative aims. Pro-Israel Jew Senator Benjamin Cardin is spotlighted for his work in raising awareness about the gentile evil being perpetrated in Russia. The narration even tosses in a jab at Iran for alleged corruption. Interviewees, in addition to the disease-exuding Gessen, include Pussy Riot’s Jewish lawyer, Mark Feygin, and gallery owner Marat Guelman, who whimpers piteously: “Because now what we have, Stalin come back.” There is, too, an echo of “Holocaust” propaganda in Pussy Riot: The Movement’s characterization of Russian prisons as concentration camps where women are (so the story goes) fed stale bread and rotten potatoes, made to stand naked outside in the cold, and prevented from using a toilet. Jewish billionaire oligarch Mikhail Khodorkovsky is presented as a rival of Putin – perhaps the only politician who could lead Russia to freedom! – but those susceptible to such rubbish are advised to read what Ronald L. Ray of American Free Press has written about this parasite:

It is Russia’s President Vladimir Vladimirovich Putin, a former communist, who stands in the breach, while bankers and internationalists promote the likes of Mikhail Borisovich Khodorkovsky, a Russian Jewish oligarch with billions of dollars to use for the re-enslavement of the former Soviet Union. […]

Although convicted of tax evasion and moneylaundering—a conviction upheld by the European Court of Human Rights—Khodorkovsky has been portrayed by Western media and politicians as a “political prisoner” because he opposed Putin. He is the poster boy for the plutocratic fight against Russian nationalism and economic independence.

But according to a January 3 report in Germany’s National-Zeitung, even defenders of the 50-year-old multi-billionaire are forced to admit that his wealth is ill-gotten. In just 15 years, the young communist son of modest engineer parents amassed many billions of dollars under the aegis of former Russian President Boris Nikolayevich Yeltsin. He was one of a handful of Jews who were given free rein by Yeltsin to enrich themselves by gaining control of much of Russia’s wealth and politics […]

As Yeltsin’s energy minister, Khodorkovsky used his now-bankrupt privately-owned Bank Menatep, for shady real estate dealings and to purchase a controlling interest in the defunct Yukos Oil Company at a fraction of its value. The Yukos production division in Russia sold the oil at minimal profit to the distribution division, located in a foreign tax haven, which then sold the oil to American and Jewish interests at market rates. Khodorkovsky and his partners profited immensely and paid little or no taxes. When a local Russian mayor spoke out about Yukos’s refusal to pay taxes, a Khodorkovsky partner was implicated in the contract murder of the official.

Khodorkovsky was accused of stealing 200 million metric tons of oil from Russia—half the Yukos production—via his business practices. Thus, it was natural that, under Putin’s efforts to break the international bankster grip on Russia and regain control of natural resources, Khodorkovsky would be investigated for selling those resources out of the country.

Not surprisingly, Pussy Riot: The Movement executive producer Marianna Yarovskaya – clearly a principled crusader for truth – is a former employee of Zio-globalist operations Greenpeace and Voice of America. She was also the head researcher for global warming scare film An Inconvenient Truth. Unsurprisingly, too, given the group’s Jewish and globalist NGO connections, Pussy Riot has most recently thrown the weight of its tawdry celebrity wholly behind the “refugee” invasion of Europe.

Rainer Chlodwig von Kook

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Jack_Ryan_Shadow_Recruit

Jack Ryan: Too Sexy for His Shirt

Determined as the Jews and the military-industrial complex are to resuscitate Cold War tensions with Russia, what could be more appropriate than a reboot of the Jack Ryan spy franchise for the post-9/11 mindfuckorama? Chris Pine stars as the studly economics student who, after witnessing the WTC attack (i.e., the Mossad’s false flag), joins the Marines like a good, obedient little goy and eventually gets recruited by the Central Intelligence Agency and transformed into a super-spook. The clear and present danger this time out is Putin’s plot to crash the American economy with a terror attack on Wall Street. (Not kidding, this condescending crapola is actually the plot.) Ryan’s CIA handler Harper (Kevin Costner, making amends for playing a sympathetic Jim Garrison in JFK) sends him to Moscow to foil Russian businessman and intelligence asset Viktor Cherevin (Kenneth Branagh, who also directs), with events eventually spilling messily back into the United States. Jack Ryan: Too Sexy for His Shirt is suitably tense and action-peppered, a serviceable entry in the espionage genre marred only by its necessarily diametric opposition to truth. In fact, to have some idea of what is actually happening in the world, the viewer need only believe the opposite of every assertion made by this blatant propaganda film.

4 out of 5 stars. Ideological Content Analysis indicates that Jack Ryan: Too Sexy for His Shirt is:

4. Anti-Christian. Russian sleeper agents meet in a church in Michigan. Cherevin lights a candle in a Russian cathedral and vows that “America will bleed” as a men’s choir sings behind him. St. Basil’s Cathedral, meanwhile, “looks like ice cream.”

3. Pro-N.W.O., glamorizing the image of the CIA blot on western civilization. The Agency with its S&M freaks “makes sure we don’t get hit again.” Jack Ryan gets a job at a bank as cover for investigating the secret funding of terrorist networks, but no explanation is given as to why he and the CIA never investigate the put options indicating advance knowledge of 9/11. Instead, Ryan’s pryings lead him to a Russian plot, so that the film misleads its viewers into accepting a false continuity between the al Qaeda terror threat and present tensions with Putin. The only honest connection, of course, is that both have been favorite bogeys in Zionist media hype.

2. Zionist. One scene makes the specifically Jewish grudge against Russia obvious. In a church where Russian conspirators meet, the minister’s sermon includes the following lines from Lamentations: “He has torn down the strongholds of the daughter of Judah. He has brought her kingdom and its princes down to the ground in dishonor.” The Russians presumably see themselves in the God role here in their fiendish intention to humble Israel by thwarting its loyal golem America. Yahweh naturally teaches these presumptuous goyim a lesson, smiting them with the wrath of His righteous CIA counterterrorism.

1. Anti-Russian. Russians, as always in Hollywood movies, are sleazy, dishonest, and brutish. Russia, not America, is the aggressor in all international relations. A Russian diplomat, for instance, attempts to squash the development of a Turkish oil pipeline that would threaten a Russian “monopoly”. Russia is described as “the Wild West”. “They’re still ideologues,” furthermore, “but the new ideology is money.” And more sinister still: “They’re not a country, they’re a corporation.” Unlike good old exceptional America. Positively no corporate mentality here! America is motivated by patriotism! Russians, not Jews, stage geopolitical coups with terror attacks in New York City. And poor little innocent U.S.A. would never wage economic jihad against Russia’s economy. Those dastardly Russians are the only ones who would ever perpetrate a villainous financial Holocaust like that.

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