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The Ideological Content Analysis 30 Days Putsch:

30 Reviews in 30 Days

DAY TWENTY

Kill the Messenger

Anybody with even a casual interest in conspiracy lore knows at least the outline of the true events that inspired this worthwhile film. Released on the heels of the Ferguson unrest of 2014, Kill the Messenger tells the story of San Jose Mercury News journalist Gary Webb (Jeremy Renner), who discovered that the 80s crack apocalypse epicentered in Los Angeles was facilitated by the Central Intelligence Agency through its sponsorship of the Nicaraguan contras.

Unlike any number of other media stories about police brutality, microaggressions, gentrification, hoodie scares, or other mysterious manifestations of racism and white privilege, Webb’s unsavory revelations give blacks good reason to be angry at their government’s actions. Webb made powerful enemies with his disclosures, which cut across partisan politics but incensed blacks in particular, and understandably so, given crack’s devastation of their families and neighborhoods. Kill the Messenger stops short of alleging that the CIA intentionally targeted black communities for destruction, but does highlight the particular blight these areas have endured.

Primarily, Kill the Messenger is the story of Webb the man, whose life and career were irreparably damaged by the titular smear campaign. Tastefully, but admittedly somewhat disappointingly, the movie leaves to viewers’ imaginations the question of whether Webb, as the official version goes, committed suicide by shooting himself twice (!) in the head or was murdered by some New World Order assassin. Renner is intense as Gary Webb, and the use of actual television news reportage of the day – including CIA shill (and current Ben Carson foreign policy advisor) Duane Clarridge’s jaw-droppingly stupid and smarmy reaction to Webb’s allegations: “Don’t give me that conspiracy bullshit. […] There has never been a conspiracy in this country” – does much to enhance the impression of reality.

4.5 out of 5 stars. Ideological Content Analysis indicates that Kill the Messenger is:

6. Non-partisan. Both Republicans and Democrats are implicated, as is indicated by the opening montage.

5. Pro-gun. Webb keeps a handgun in his home and uses it to scare a spooky prowler away from his car.

4. Drug-ambivalent. Webb and his wife (Rosemarie DeWitt) smoke weed, but a visit to South Central Los Angeles underscores crack’s social ravages.

3. Media-critical. After initially celebrating his breakthrough, Webb’s fellow journalists either distance themselves from him or devote themselves to discrediting his work.

2. Anti-state. This writer must not have been paying attention during his high school civics class when the teacher explained how it was the government’s responsibility to import hard drugs into the country.

1. Borderline anti-Semitic! Richard Schiff plays Richard Zuckerman, a CIA asset and shill utilizing The Washington Post to trash Webb’s credibility. Tim Blake Nelson plays sleazy attorney Alan Fenster, who, while lending crucial assistance to Webb’s investigation, comes across as the stereotypical lawyer who insists even in private conferences on referring to his client “Freeway” Rick Ross (Michael K. Williams) as merely an “alleged” drug dealer. Oliver Platt, meanwhile, appears as Mercury News executive editor Jerry Ceppos, who at first defends Webb’s work but then wimps out in the face of the media firestorm. Perhaps to compensate for these unappealing characterizations, both Webb and his wife as visualized in the movie are darker, less Nordic-looking figures than the biographical subjects.

Gary Webb

Gary Webb

Jeremy Renner

Jeremy Renner

 

Rainer Chlodwig von Kook

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Neighbors

Audiences accustomed to expect the ultimate in raunchy excess from Seth Rogen comedies ought not to be disappointed by Neighbors (2014), a highlight or lowlight of the actor’s career depending on individual taste. Rogen (The Guilt Trip) and Rose Byrne (The Internship) play recent parents whose idylls are disrupted when the rowdy Delta Psi Beta fraternity moves into the house next door. When the noise from the nearby parties becomes too much for the couple to take, a no-holds-barred feud breaks out between equally immature factions. What ensues is an hour and a half of some of the most unflinchingly filthy cultural venom this critic has tasted, and some of it is actually pretty funny. Can any doubt remain that Rogen, notwithstanding his irresistible charm and impeccable comic delivery, is for precisely these reasons one of the most dangerous men in the world today, able as he is to cajole audiences into swallowing the most murderous poison? This is the dread testament to his greatness.

4 out of 5 stars. Ideological Content Analysis indicates that Neighbors is:

10. Statist, glorifying police brutality.

9. Anti-gun. Byrne shoots down Rogen’s idea of buying a gun to protect his home.

8. Green. “You better put that in a recycling bin. All of it,” Byrne insists with reference to the beer cans strewn across her lawn.

7. Multiculturalist. Delta Psi Beta includes not one, but two token blacks and even an Asian.

6. Racist! Demonstrating that Jewishness is a get-out-of-jail-free card for anything, Rogen gets to say “nigga” and even wears a hipster-racist T-shirt depicting a negroid feline eating watermelon.

5. Pro-gay. “That’s awesome,” Rogen comments when a faggot couple with a baby moves into the neighborhood. Much of the fraternity’s party culture suggests latent or even overt homosexuality. Two frat lads, instead of having a proper fist fight, grab each other’s groin. “Is that how people fight now?” Rogen asks. “What are they doing?” Rogen is shocked but not too upset at seeing his wife kiss another woman. His climactic confrontation with nemesis Zac Efron involves dueling dildos, with Rogen compelled to suck his enemy’s weapon at one point.

4. Degenerate. “I’m takin’ you to bone town, bitch,” Rogen tells his wife as he fucks her in view of their smiling mischling baby. In one graphic scene of full-frontal obscenity, a girl has an unusually long dick wrapped around her throat. “Hey, guys,” she boasts, “what do you think of my new necklace? It’s a choker.” Sundry other moments, too many to mention . . .

3. Pro-drug. Weed blazes throughout the film, with Rogen lighting up on his break at work and also smoking in the presence of his infant daughter. For the final blowout, the frat house is transformed into an epic “hotbox”, with barrels of burning marijuana getting everyone on the premises high. Neighbors also contains casual cocaine use and scenes with Rogen gobbling psychedelic mushrooms. Waxing wigger, the hero repeatedly uses the word “dope” to describe anything that meets with his approval. Drinking interferes with Rogen’s sexual performance, but he manages to parlay even this into a comedy shtick to amuse his wife. “I feel like shit, but I love it,” she says when her hangover hits. Referencing Breaking Bad, the couple dresses their daughter up in a yellow suit like Walter White and poses her for photographs with Gatorade ice cubes designed to look like the show’s “blue stuff”. “She’s a little meth head,” Rogen dotes.

2. Family-ambivalent. “We are the family you get to choose and we don’t get divorced,” explains one brother of his fraternity. A tension persists throughout Neighbors between Rogen and Byrne’s commitment to being responsible thirty-something parents and their desire to have fun and feel like freewheeling twenty-somethings. Probably only to give itself some tenuous veneer of socially redeeming value, Neighbors ends with the couple reaffirming their identity as a family. Permeating the story, however, is the sense that they seek escapism from their “boring-ass lives as parents”. “Just because I’m a mom doesn’t mean I’m going to change who I am,” insists Byrne, to which Rogen counters, “Just because I’m a father doesn’t mean I can stop doing mushrooms with teenagers.”

1. Zionist-triumphalist. Notwithstanding the disinformation it generally spews with regard to global Zionist machinations, Hollywood knows and has always known the reality of Judaic high crimes and atrocities. A long and honored Israeli tradition is comically flaunted when Rogen and company stage a false flag party of sorts, shooting fireworks from the frat house to prompt a reaction from the police. Rogen’s compatriot Isaac “Ike” Barinholtz even inserts the Hebrew expression for “Game Over” into a phony letter he crafts to trick the fraternity into misbehaving. Acknowledging Jewish supremacist attitudes toward goy cattle and “shikse” women, Neighbors includes one disgusting sequence in which Rogen milks wife Rose Byrne like a cow. “We should go mom-tipping later,” he jokes, adding, “I was just trying to lighten the mooooood.”

Rainer Chlodwig von Kook

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