Archives for posts with tag: Premium Rush

Mud_PosterArt

Wholly original while also echoing Stand by Me in its coming-of-age adventure and Sling Blade in its rural milieu, Mud is the story of fourteen-year-old Arkansas boy Ellis (Tye Sheridan), who, along with buddy Neckbone (Jacob Lofland), discovers the titular fugitive (Matthew McConaughey) hiding out on a little island not very far downriver from his family’s houseboat. Mud is on the run after murdering a man who threatened his girlfriend (Reese Witherspoon), and Ellis and Neckbone, who are understandably fascinated by this highly unusual character, strike a deal to help him out by bringing him food and supplies.

Mud, like Luke Glanton in The Place Beyond the Pines, is a semi-mythical, romantic, rough-hewn, damaged but untamed figure whose face and tattoos tell his story. He is something out of America’s past, a sort of boy who never grew up, and locates a parallel spirit in Ellis. Matthew McConaughey, so memorable in the previous year’s Killer Joe, is perfect in this polar opposite role as the friendly and formidable but tragically naive Mud, and Tye Sheridan, too, is believably earnest in his central role as companion Ellis. Other faces enhancing the cast are Sheriff Pusser himself, Joe Don Baker, Premium Rush‘s Michael Shannon, The Right Stuff‘s Sam Shepard, and newcomer Bonnie Sturdivant as sultry teenage hussy May Pearl, Ellis’s inamorata.

5 stars. Highest recommendation. Ideological Content Analysis indicates that Mud is:

6. Anti-Christian. King (Joe Don Baker) represents Christians unflatteringly when he initiates a group prayer for Mud’s imminent demise. Mud makes at least one reference to God, but comes across as more of a pagan with his wild, natural ways.

5. Gun-ambivalent. Mud’s pistol gets him into trouble, but mentor and ex-Marine Tom (Sam Shepard) comes in handy in the end with his rifle and sniper skills.

4. Anti-slut. Mud’s love is wasted on floozy Juniper (Witherspoon).

3. Anti-marriage. Ellis’s parents are getting divorced. Women are undependable.

2. Anti-vigilante. Mud’s poorly considered vengeance has made him a hunted man. King, father of the abusive lowlife Mud murdered, arranges a posse to locate and liquidate the hero, but by doing so he only succeeds bringing more woe on himself.

1. Libertarian. The River Authority callously threatens to order the family out of their houseboat. Neckbone dismisses the legislation sanctioning such an action as “bullshit”. Ellis’s father (Ray McKinnon), meanwhile, voices strong propertarian views when his son is caught in a theft. The police are susceptible to corruption.

In Shoot ‘Em Up, Hollywood gave audiences a new, health-conscious kind of action hero in Clive Owen’s gunman who chooses to gnaw on carrots rather than Clint Eastwood’s cigars.  Now Premium Rush continues and develops the healthy hero trend, with Joseph Gordon-Levitt’s courier Wilee riding a bike instead of tooling around in a pollution-and-noise-producing auto like the Batmobile or Mad Max‘s Main Force Patrol Interceptor.  The bicycle messengers of New York City, it turns out, actually lead perilously exciting lives and emerge as unsung heroes of sport and private enterprise while also menacing mainstream traffic.

Gordon-Levitt, who against the odds has left behind TV sitcom cutedom to break into mature, masculine lead roles in a major way this summer, stands a chance to become one of the action heroes of Generation Y based on his likeable turns in Premium Rush, The Dark Knight Rises, and – we’re hoping – in his upcoming pairing with Bruce Willis in Looper, hitting screens in September.  Gordon-Levitt’s Wilee is a new kind of hero, a far cry from the Stallones and Schwarzeneggers of yesteryear; he’s philosophical, triumphing through (mostly) non-violent athleticism, split-second risk-taking, and hypothetical physics-informed bicycling strategy.

He needs everything in his physical and mental arsenal when he finds himself pursued across NYC by a bike cop and a crooked police detective villainously named Monday (Michael Shannon, who resembles a young Malcolm McDowell both facially and in intensity) in a feature-length chase setup that recalls Night of the Juggler‘s use of the city’s streets.  Like that film, Premium Rush never lets up and, in short, delivers what the title advertises.  5 stars.  Highly recommended entertainment.

Ideological Content Analysis indicates that Premium Rush is:

5. Multiculturalist.  Wilee receives much-needed aid from a multiracial horde of his bike messenger colleagues.

4. Pro-immigration.  Wilee’s “premium rush” delivery will help a Chinese mother bring her son to the U.S.

3. Multiply pro-miscegenation.

2. Anti-police.  Detective Monday is a vicious, corrupt murderer who abuses his authority.  Other police, even while well-meaning and simply trying to do their jobs, act as pesky antagonists toward the hero throughout the film.

1. Green.  Apart from the glorification of Wilee’s choice of transportation, NYC’s hybrid mass transit system also puts in a cameo.

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