Archives for posts with tag: possession

Prodigy

The popular creepy kid genre can be traced all the way back to The Bad Seed (1956), but really took off in the years that witnessed the introduction of the birth control pill and the legalization of abortion in conjunction with overpopulation propaganda, with Rosemary’s Baby (1968), The Exorcist (1973), It’s Alive (1974), The Stranger Within (1974), Devil Times Five (1974), I Don’t Want to Be Born (1975), The Omen (1976), and The Brood (1979) being notable examples. The purpose of such movies, when it is not simply to make a quick, exploitative buck, has frequently been to instill in deracinated women associations of anxiety and disgust with their own biological imperative, and The Prodigy (2019) is an especially noteworthy development of this tradition. I found it to be genuinely scary – even as I smirked inwardly at its gross subtextual purpose.

[WARNING: SPOILERS]

4.5 out of 5 stars. Ideological Content Analysis indicates that The Prodigy is:

3./4. Anti-gun and pro-choice in one fell swoop. You have to watch out for those meddlesome old white men with their guns trying to save children from being murdered by their mothers. BELIEVE WOMEN when they determine that their sons deserve to die.

2. Antinatalist. The Prodigy might as well have been titled Abort the Alt-Right: The Movie.

1.Anti-white. New parents John (Peter Mooney) and Sarah (Taylor Schilling) – who have the surname Blume but do not appear to be Jewish – seem to have the perfect suburban life until their unhealthily pale son Miles (Jackson Robert Scott) starts to manifest precocious intelligence while lagging behind in emotional development and social skills. He also has different-colored eyes like Nazi LARPer David Bowie, who is name-dropped in the screenplay. These are the film’s first clues that what devil-child Miles really represents are Jewish and globalist anxieties about the remaining potential for a resurgence of nationalism and fascism among peskily still-reproducing white people. One of the semi-autistic child’s first demonstrations of intolerance is when as a schoolboy he becomes jealous at the sight of a Mexican-looking boy working on a project with a white girl. Miles wants to be paired with the girl instead and attacks the other boy in deplorably savage fashion with a wrench. A not-so-insignificant establishing shot shows him attending Buchanan Elementary School – because everybody knows the antisocial influence that Patrick J.’s tutelage exercises over the kids these days.

A Jewish parapsychologist, Dr. Arthur Jacobson (Colm Feore), finally determines that Miles, who speaks in Hungarian while he sleeps, is the reincarnation of a misogynistic serial killer, Edward Scarka (Paul Fauteux), whose family had relocated from Orban Land to Ohio. Scarka, as seen in The Prodigy’s prologue, disrespectfully chopped off womyn’s hands and murdered them in his supervillainous hillbilly house of horrors. He was probably a Republican, too – the viewer just senses it. Hungary, in Jewish consciousness, is inseparable from its twentieth-century history of anti-Semitism and the “Holocaust”, and Scarka personifies the threat of retro central-European bad-optics nationalism’s reincarnation in Rust Belt populism and toxic masculinity. After Dr. Jacobson tries hypnotizing Miles in order to learn more about the malevolent Hungarian soul occupying his body, Miles threatens to accuse him of sexually molesting him – because, of course, that is what incorrigible young white men are doing these days – falsely accusing Jewish men of being pedophiles. Who needs the bother, amirite, sisters? Just #RESIST pregnancy and have an abortion.

Rainer Chlodwig von K.

Rainer is the author of the books Drugs, Jungles, and Jingoism and Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies.

Witchtrap

Witchtrap (1989) ****  Writer-director Kevin Tenney’s follow-up of sorts to his 1986 masterpiece Witchboard, this 1989 effort is, as a disclaimer on the back of the VHS box warns, nonetheless “not a sequel to WITCHBOARD.”  However, like its predecessor, it does concern the depredations of an evil spirit lingering in the world of the living and is concerned, as is Witchboard, with the existence or not of God and of the supernatural.  Similar plotwise to Puppet Master 2Witchtrap is the story of a team of paranormal investigators who move into a reputedly haunted house with high-tech equipment which, they hope, will document the spooky phenomena and help rid the place of its unsavory vibes.  Unfortunately, where Witchboard succeeds through fine-tuned tension, controlled atmosphere, and an air of pervading menace, Witchtrap is totally hokey and more liable to elicit laughs than to tingle spines; but the corniness and questionable acting do at least make Witchtrap a consistently enjoyable watch and an instant inductee into the glorious 80s camp classics pantheon of horror.

Kevin Tenney’s screenplay is full of fun, by turns quick with crude and hilarious one-liners and headscratchingly odd dialogue and events.  James Quinn, returning from Witchboard, has Witchtrap‘s best role as the sarcastic, wisecracking private dick brought in to provide reluctant security for the team of paranormal investigators.  Among the latter are Rob Zapple, who turns in a serviceably nerdy wimp performance as a medium, playing possession to zany and over-the-top perfection; two interesting-looking but frankly terrible actresses, Judy Tatum and Kathleen Bailey (who played a police detective to similarly underwhelming effect in the same year’s horror comedy Night Visitor); and – appearing long enough to please her fans and get undressed – Linnea Quigley, who so enlivened Tenney’s other masterpiece Night of the Demons.  Hal Havins, another Night of the Demons alumnus, contributes funny overweight villainy as the haunted house’s caretaker, and Tenney himself, in what is easily Witchtrap‘s worst, most deadpan performance, plays the owner who hopes to turn the place into a profitable bed and breakfast.  Not a very scary movie, but guaranteed to entertain the chintzy synth horror set.   4 out of 5 stars on the funk scale.

IRRUSSIANALITY

Russia, the West, and the world

Muunyayo

Farawaysick for a High Trust Society...

Fear of Blogging

"With enough courage, you can do without a reputation."

Alt of Center

Life. Liberty. And the Pursuit of Beauty

The Alternative Right

Giving My Alt-Right perspective

Logos

| literature |

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Bad People, Strange Times, Good Books

Historical Tribune

The Factual Review

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!