Archives for posts with tag: Portuguese

Sequestrada

This is a weird one. Tim Blake Nelson, who furnished the voice of a cockroach in 1996’s Joe’s Apartment, here essays a similar role as Thomas, the representative of an American energy concern that, as the back of the Sequestrada DVD case informs us, is “building an illegal damn [sic] in the Amazon.” Thomas has come to Brazil to convince a tribe of semi-civilized jungle Indians, the Arara, to acquiesce in the face of a massive development project that threatens to displace them from their land. He encounters fiercer resistance than he bargained for, however, when Roberto (Marcelo Olinto), a local pen-pusher and liaison with the area’s Indians, frames Thomas for kidnapping a girl from the Arara. Roberto himself is the creep who is hiding the underage girl, Kamodjara (Kamodjara Xipaia), in his hotel room and preventing her from finding her way back to her family. What starts out as a pretty bland travelogue-cum-ethnography actually starts to get entertaining when Kamodjara’s incensed tribesmen abduct Thomas from a police station, haul him back to their home in a boat, and hold him as a prisoner in the jungle. Unfortunately, Sequestrada risks blurring the line between the depiction of pedophilia and the commission of child abuse in more than one scene between Roberto and his unwilling companion. In getting across that Roberto is sexually tempted by a girl who looks to be approximately twelve years old, for instance, was it really necessary for the camera to show his point of view by lingering on the girl’s rear end or to show him leering down at her as her head is in his lap?

3 out of 5 stars. Ideological Content Analysis indicates that Sequestrada is:

Feminism-skeptical. Kamodjara, when she arrives in the big city, is interested in locating a place she heard about where women live self-sufficiently without any men, and she later recounts a myth about the pieces of a chopped-up snake transforming into men who attack a girl, men being untrustworthy and reptilian in origin. If anything, however, Kamodjara’s ordeal demonstrates a girl’s vulnerability without her father.

Anti-white. The white men in the film, whether American or Portuguese Brazilian, seek to exploit and dominate what is not theirs. Kamodjara explains that “my people tried to live with the wild beasts and the brancos [i.e., whites]. But the brancos kill our river. They created a monster wall to kill my river. They lie. I will not live with their lies.”

Green. “Hundreds more dams are planned for the Amazon, which would release a flood of toxic greenhouse gases, accelerating catastrophic climate change,” a blurb at the end of the movie alleges, adding, “The effect of Amazon rainforest being destroyed is so immense, no scientist can fully calculate it.” Sequestrada’s credits give a “Special Thanks” to “climate finance” operation the Climate Policy Initiative and acknowledge “Additional Support” from United Nations University, the Henry Luce Foundation, Tinker Foundation, and George Washington University. Whatever their ultimate agenda, it certainly wasn’t promotion of Brazilian tourism.

Rainer Chlodwig von K.

Rainer is the author of Drugs, Jungles, and Jingoism.

Little Bit Zombie poster

Steve (Kristopher Turner) and Tina (Crystal Lowe) are, despite their cutesy neuroses, happy together and engaged to be married in a week.  The only problem is that Steve is starting to get cold feet – literally – after a plague-carrying mosquito bites him and turns him into a brain-craving corpse.

Neither the first nor the last romantic comedy to consider itself cleverly different and adorable for featuring a zombie in love, A Little Bit Zombie does nothing to distinguish itself from the rest of the horror comedy pack.  With its derivative ideas, cloyingly broad comedy, indomitable preciousness, and the nearly nonstop yammering of Lowe as the shrewish, controlling Tina, A Little Bit Zombie is, sadly, a little bit of a chore to endure.  Even the gratuitous gross-out humor, including an homage to Bloodsucking Freaks, gets old before very long.

The film does, however, have a polished look to it, and supporting players Kristen Hager and Shawn Roberts (who resembles a muscular Seann William Scott) are attractive and fun in their respective roles as Steve’s sarcastic sister Sarah and macho, raunchy buddy Craig.  Stephen McHattie (a poor man’s Lance Henriksen) is also picturesque as rugged, no-nonsense zombie-hunter Max.  Still, it can hardly be said to count in a film’s favor when the mosquito that bites the protagonist is one of the most sympathetic characters.  Consequently, ICA advises potential viewers to skip it and watch Warm Bodies (2013) instead.

2.5 stars. Ideological Content Analysis indicates that A Little Bit Zombie is:

14. Pro-gay.  “I support your decision,” Craig jokingly says of the idea of a hypothetical homosexual zombie wedding.  (cf. no. 5)

13. Anti-religion.  “Holy fuck, dude.”

12. Anti-German.  Craig, overhearing talk of shit-eating, asks if the reference is to Germans.

11. Pro-wigger.  “My bad,” concedes Max.  “Thug life,” comments Craig at Tina’s plan to abduct a stranger for Steve’s nourishment.

10. Gun-ambivalent.  Firearms are fetishized in picturesque moments, but are not employed with consistent wisdom.

9. Anti-obesity.  More than one fat zombie meets with flippant disposal.

8. Anti-family.  It is at Steve’s family’s cottage where the fatal bite occurs.  Steve has a dream mocking stereotypical 1950s domestic bliss.  Craig makes reference to Steve’s “fuckin’ freak family” and also calls them the Manson Family.  Max’s father left him to fend for himself in a Filipino jungle.  He says he would unhesitatingly shoot his mother in the face if she became infected with the plague.

7. Drug-ambivalent.  Craig and Sarah are both secret smokers.  Drinking makes a dupe susceptible to abduction.  One drunk urinates on another.

6. Anti-police.  Tina suggests that they ensnare a police officer so Steve can eat his brain.

5. Anti-redneck.  A local yokel sits outside and stares with open-mouthed fascination at the sun.  Craig calls eccentric meat market proprietor and gun aficionado Capt. Cletus “Admiral Redneck”.  Cletus refers to Craig as a “queer-lookin’ feller”.

4. Un-p.c.  Steve kills a rabbit by biting into its skull.  A “team-building” exercise is described as “retarded”.  Craig more than once calls Steve a “gay-ass zombie”.  “I hate the Portuguese,” Tina confesses.  Max calls a hybrid a “fucking hippie car.”

3. Feminist.  “I could teach you to cook,” Tina offers, eliciting a disgusted sigh from Sarah.  The pair outsmarts a “big scary guy” by using their womanly wiles.  Women fight and wield guns with comfort and effectiveness.

2. Pro-castration, celebrating the sensitive, wimpy man in Steve, a fellow for the “workplace conflict resolution initiatives” who allows his fiancée to micro-manage his life.  Craig, after playing the macho man and advising Steve to “grow some nads”, wimpily asks him not to tell Sarah that he smokes.  He also cops out in the end and apologizes for calling Steve a “gay-ass zombie”.

1. Pro-marriage.  Tina sticks by Steve despite his disconcerting condition.

 

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