Archives for posts with tag: Philippines
fta

“The show the Pentagon couldn’t stop!” Sure …

I have previously discussed the dubious “anti-war” credentials of countercultural figures Donald Sutherland and Jane Fonda, who played the part of rebellious hippies within the Hollywood elite. No film better encapsulates their fraud or the fabricated nature of the corporate counterculture than Francine Schoenholtz’s ridiculous 1972 documentary FTA, which stands for “Fuck the Army”. The film follows Fonda, Sutherland, and other performers as they tour Japan and the Philippines, performing unfunny comedy routines and hokey protest songs for American servicemen. Schoenholtz’s previous work included a 1966 series of one-hour plays for PBS called Jews and History – and FTA itself and the culture creation it represents comprise a singular Jewish contribution to American military and pop-cultural history.

The film is as much a promotion of subversion as it is a polemic against the war in Vietnam. The poster, boasting its image of a stoned Donald Sutherland, is an undisguised attempt to associate anti-war activism with drug culture, and much of FTA is devoted to glorifying communism, feminism, vulgarity, bad grooming, and loutish black militancy, with the U.S. characterized as a racist society perpetrating genocide against both the Vietnamese and American blacks. FTA’s pose of revolutionism notwithstanding, is the audience really expected to believe that this troupe of anti-American undesirables would have been allowed anywhere near U.S. military bases overseas unless the production had at least the tacit approval of powerful persons within the American government? Would U.S. Army and Navy personnel be permitted to participate in the production of a film if it authentically sought, as FTA pretends, to goad soldiers into turning their guns against their leaders? It was during the week of the film’s premiere in July of 1972 that Fonda, just to present the anti-war movement in the worst possible light, notoriously visited Hanoi and posed for a photo with a North Vietnamese anti-aircraft gun.

Producing and completing post-production on FTA was Igo Kantor, who tells the story of his involvement in the project in an interview he granted for the DVD release of the stupid woman vigilante movie Alley Cat (1984). He remembers that “Technicolor came to me and they said they would like to do a show on Jane Fonda going with a group of people, the FTA group, musical group, all over the Pacific Rim, all of Vietnam, all those countries, and do a show about the counter [to] the Bob Hope Christmas shows,” which were being produced by NBC, then owned by the defense contractor RCA. “The Bob Hope Christmas shows were dignifying the war movement because he was performing for the troops all over, every Christmas he’d go to one of these towns where the war took place and he would have shows – and I was the editor on the Bob Hope Christmas shows for six years. […] But then Technicolor said Jane Fonda would like to do a show to counteract that. Instead of heroining the war, let’s be pro-peace,” Kantor recounts, smiling sardonically.

That RCA would produce television programming “dignifying the war movement” is hardly surprising; but that Technicolor, a subsidiary of the defense contractor Thomson-CSF, would approach Kantor to produce a radical “pro-peace” hippie extravaganza, even hiring the same editor, is more interesting. “So she [i.e., Jane Fonda] went [to Vietnam] and the amazing thing is, here I was working in this building on Highland Avenue [in Los Angeles] and Jane Fonda, I gave her an office upstairs, and she and Don Sutherland were together at that time […] and Bob Hope had an office downstairs, and Bob Hope knew about this and he says, ‘Igo, what’s going on here, what, you’re working on my show, which is pro-war, and you’re working another show that’s anti-war?’ I said, ‘Don’t worry, I will not mix the footages. They’ll not be the same show, don’t worry about it.’ And sometimes,” Kantor remembers, bemused, “they used to go up and down the stairs and throw darts at each other. Bob Hope and Jane Fonda were, my God, crazy.” So, by Kantor’s own admission, the entertainment industry’s representative pro-war and anti-war exemplars were literally working out of the same building and frolicking on the stairs and enjoying hijinks – but that was surely just a coincidence – right?

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

Advertisements

Pound of Flesh

Still-kicking Jean-Claude Van Damme is Deacon, a cynical but bighearted mercenary and counter-kidnap specialist who travels to the Philippines to donate a kidney to his dying niece (Adele Baughan). Following what appears to be a simple one-night stand with local expat floozy Ana (Charlotte Peters), Deacon wakes up in an ice bath with a huge gash on his back where his kidney has been prematurely removed, harvested by a black market dealer.

Complicating things is the tension between Deacon and his wimpy, conservative Christian brother George (John Ralston), with whom Deacon has little choice but to forge a temporary posse. Will Deacon and his estranged brother be able to set aside their differences and find the kidney’s unlawful recipient in time to retrieve it and save the little girl? Pound of Flesh quickly gets down to business in answering that question and others more philosophical.

Some of the action sequences, particularly during the first half of the movie, lack sufficient coverage, and one particular fight scene in a nightclub is too darkly lit to be able to follow the choppy fight choreography in its specifics; but Pound of Flesh improves as it goes along, becoming quite suspenseful toward the conclusion, and packs a few powerful twists. A moderate recommendation for Van Damme fans.

4 out of 5 stars. Ideological Content Analysis indicates that Pound of Flesh is:

[WARNING: POTENTIAL SPOILERS]

3. Anti-slut. Loose women are devious. Reassuring the audience that there is hope for every soul, however, Charlotte Peters plays the proverbial hooker with a heart of gold.

2. Class-conscious and anti-war. The privileged pay to watch the poor beat each other senseless in an underground fight club in Manila. The culprit in the theft turns out to be Simon Rants III (David P. Booth), a high-powered purveyor of mercenaries and a stereotypically frigid crumb of the British upper crust. Sadly, anti-Semites will be disappointed to discover that Pound of Flesh, despite the Shylock reference in its title, is not at all concerned with the Jewish Question, with usury, or with any Hebraic villainy whatsoever.

1. Christ-ambivalent. Blood, Pound of Flesh would seem to suggest, is thicker than scripture, with milquetoast George finally abandoning his principles and learning how easy it is to kill when his daughter’s life is at stake. Deacon, who literally beats people up with a Bible, comes to symbolize a new vision of Christ as a man of brutal action driven by profound compassion with his climactic act of self-sacrifice. This tension and antagonism between the West’s traditional Christianity and the exigencies, often ugly, of a bloodline’s survival, feel especially timely in this age of cuckservative toleration of ongoing white genocide.

Rainer Chlodwig von Kook

Have shopping to do and want to support icareviews? The author receives a small commission for purchases made through this link: http://amzn.to/1LC1SEz

Little Bit Zombie poster

Steve (Kristopher Turner) and Tina (Crystal Lowe) are, despite their cutesy neuroses, happy together and engaged to be married in a week.  The only problem is that Steve is starting to get cold feet – literally – after a plague-carrying mosquito bites him and turns him into a brain-craving corpse.

Neither the first nor the last romantic comedy to consider itself cleverly different and adorable for featuring a zombie in love, A Little Bit Zombie does nothing to distinguish itself from the rest of the horror comedy pack.  With its derivative ideas, cloyingly broad comedy, indomitable preciousness, and the nearly nonstop yammering of Lowe as the shrewish, controlling Tina, A Little Bit Zombie is, sadly, a little bit of a chore to endure.  Even the gratuitous gross-out humor, including an homage to Bloodsucking Freaks, gets old before very long.

The film does, however, have a polished look to it, and supporting players Kristen Hager and Shawn Roberts (who resembles a muscular Seann William Scott) are attractive and fun in their respective roles as Steve’s sarcastic sister Sarah and macho, raunchy buddy Craig.  Stephen McHattie (a poor man’s Lance Henriksen) is also picturesque as rugged, no-nonsense zombie-hunter Max.  Still, it can hardly be said to count in a film’s favor when the mosquito that bites the protagonist is one of the most sympathetic characters.  Consequently, ICA advises potential viewers to skip it and watch Warm Bodies (2013) instead.

2.5 stars. Ideological Content Analysis indicates that A Little Bit Zombie is:

14. Pro-gay.  “I support your decision,” Craig jokingly says of the idea of a hypothetical homosexual zombie wedding.  (cf. no. 5)

13. Anti-religion.  “Holy fuck, dude.”

12. Anti-German.  Craig, overhearing talk of shit-eating, asks if the reference is to Germans.

11. Pro-wigger.  “My bad,” concedes Max.  “Thug life,” comments Craig at Tina’s plan to abduct a stranger for Steve’s nourishment.

10. Gun-ambivalent.  Firearms are fetishized in picturesque moments, but are not employed with consistent wisdom.

9. Anti-obesity.  More than one fat zombie meets with flippant disposal.

8. Anti-family.  It is at Steve’s family’s cottage where the fatal bite occurs.  Steve has a dream mocking stereotypical 1950s domestic bliss.  Craig makes reference to Steve’s “fuckin’ freak family” and also calls them the Manson Family.  Max’s father left him to fend for himself in a Filipino jungle.  He says he would unhesitatingly shoot his mother in the face if she became infected with the plague.

7. Drug-ambivalent.  Craig and Sarah are both secret smokers.  Drinking makes a dupe susceptible to abduction.  One drunk urinates on another.

6. Anti-police.  Tina suggests that they ensnare a police officer so Steve can eat his brain.

5. Anti-redneck.  A local yokel sits outside and stares with open-mouthed fascination at the sun.  Craig calls eccentric meat market proprietor and gun aficionado Capt. Cletus “Admiral Redneck”.  Cletus refers to Craig as a “queer-lookin’ feller”.

4. Un-p.c.  Steve kills a rabbit by biting into its skull.  A “team-building” exercise is described as “retarded”.  Craig more than once calls Steve a “gay-ass zombie”.  “I hate the Portuguese,” Tina confesses.  Max calls a hybrid a “fucking hippie car.”

3. Feminist.  “I could teach you to cook,” Tina offers, eliciting a disgusted sigh from Sarah.  The pair outsmarts a “big scary guy” by using their womanly wiles.  Women fight and wield guns with comfort and effectiveness.

2. Pro-castration, celebrating the sensitive, wimpy man in Steve, a fellow for the “workplace conflict resolution initiatives” who allows his fiancée to micro-manage his life.  Craig, after playing the macho man and advising Steve to “grow some nads”, wimpily asks him not to tell Sarah that he smokes.  He also cops out in the end and apologizes for calling Steve a “gay-ass zombie”.

1. Pro-marriage.  Tina sticks by Steve despite his disconcerting condition.

 

Dislike Ideological Content Analysis on Facebook or stalk Rainer Chlodwig von Cuck on Twitter or Google+

IRRUSSIANALITY

Russia, the West, and the world

Muunyayo

End the Fuckery...

Fear of Blogging

"With enough courage, you can do without a reputation."

Alt of Center

Life. Liberty. And the Pursuit of Beauty

The Alternative Right

Giving My Alt-Right perspective

Logos

ars erga excellentiam

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Bad People, Strange Times, Good Books

Historical Tribune

The Factual Review

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!