Archives for posts with tag: Marvel

Infinity War

Over at Counter-Currents, Buttercup Dew reviews “fanboy-specific orgasmatron” Avengers: Infinity War “with unbiased eyes”. At Affirmative Right, meanwhile, culturist John K. Press finds in the same film an “unmistakably Christian” experience, “even if the producers are not fully aware of this” – and Andy Nowicki muses on the significance of Infinity War‘s inclusion of depopulation as a plot element. Robert Stark interviews Norwegian filmmaker Bjorn Erik Sorensen about his upcoming movie Broke on the most recent episode of the Stark Truth podcast. Turning to older movies, John Morgan joins Me Ne Frego for a discussion of A Clockwork Orange and its treatment of the idea of man’s perfectibility. Soiled Sinema‘s Ty E. honors the excellent Cutter’s Way as “the only cinematic work of its era that goes all the way in terms of pure and unadulterated cultural pessimism in regard to the state of the United States and its increasingly disenfranchised white working-class majority.” The estimable Edmund Connelly, writing at The Occidental Observer, reflects on the misunderstood Jewishness of Richard Dreyfuss’s character in the comedy Once Around, and J-F Gariepy and Mr. Z discuss the prescient elements of the futuristic Stallone classic Demolition Man. Finally, at Counter-Currents, Margot Metroland remembers the late Adam Parfrey, who came from a Hollywood family and would become an influential publisher of taboo, transgressive, and conspiracy-related literature at Feral House. Enjoy!

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

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The Ideological Content Analysis 30 Days Putsch:

30 Reviews in 30 Days

DAY EIGHTEEN

Captain-America-The-Winter-Soldier

Just like the Second World War dinosaur he is, “fossil” super soldier Steve Rogers is resurrected Jurassic Park style and unleashed on the twenty-first century to once again wreak havoc for the sake of the planet’s “freedom”. Actually not nearly as bad as this writer assumed it would be – and pretty exciting, actually – Captain America: The Winter Soldier shows slightly more nuance than one tends to expect from the public’s periodic dose of warmongering World War 2 fetishism. Action sequences and special effects are top-notch, with one particular highway throwdown recalling the epic mayhem of The Matrix Reloaded, and costar Scarlett Johansson – herself a special effect of sorts for those with a taste for the tawdry – makes a peppery foil for wholesomely handsome lead Chris Evans.

4.5 out of 5 stars. Ideological Content Analysis on Captain America: The Winter Soldier indicates that it is:

7. Feminist, showcasing the talents of the obligatory “kick-ass girl” in S.H.I.E.L.D. agent Scarlett.

6. Pro-gun. Nick Fury tells an anecdote about how his grandfather carried a pistol for protection in a rough neighborhood.

5. Multiculturalist. Sassy Samuel L. Jackson diversifies the role of Nick Fury. Rewriting history by ignoring the fact that armed forces were segregated during the Second World War, a Smithsonian exhibit shows Captain America with his fellow “Howling Commandos”, among whom are a black and an Asian.

4. Pro-miscegenation. Cap exchanges spit with greasy-lipped Jewess Scarlett.

3. State-ambivalent, accepting the basic benevolence of the intelligence community, but warning against the encroachments of domestic surveillance. The script is also tolerant of illegal black ops, with Fury supposedly having “saved the lives of a dozen political officers” with an unauthorized incursion on foreign soil. The trouble is that this sort of thing has gotten out of hand and given rise to unaccountable deep state structures.

2. War-ambivalent. Cap is uncomfortable with Nick Fury’s neocon philosophy of preemptive war. “We can’t afford to wait,” says Fury, who invokes “New York” (i.e., 9/11). “We’re gonna neutralize a lot of threats before they even happen.” Cap’s sidekick Sam (Anthony Mackie), who now works as a counselor for returning servicemen, reflects on the War on Terror: “I had a really hard time findin’ a reason for bein’ over there, you know?” The movie’s ostensibly anti-war sentiments, however, are revealed to be disingenuous by its endorsement of the myth that America “saved the world” in World War 2. For the final battle, Captain America ditches his drab newfangled threads for the bright primary colors of his glory days fighting the Third Reich, the idea being that this return to the ideals of the brainwashed “Greatest Generation” is the spirit that will renew the country’s greatness.

1. Zionist. Hollywood goes full Alex Jones in Captain America: The Winter Soldier, with secret Nazi conspiracies, Orwellian control grids, and MKUltra-style mind control programs enlivening the plot, which concerns crypto-fascist S.H.I.E.L.D. faction Hydra and its attempt to implement a “New World Order” of total government mastery over the populace through a preemptive dissidence detection algorithm. S.H.I.E.L.D. is an interesting name for a globalist action force for good, considering that “Rothschild”, the name attached to the infamous Jewish banking octopus, translates from the German as “Red Shield”. In Captain America, S.H.I.E.L.D. is well-intentioned and ruined only by Hydra, the Nazi “parasite” in the intelligence community’s midst. This is clearly a boldfaced reversal of ethnic realities, and the movie even appears to allude to this Jewish ruse, with the Jewiest Jew of them all, Garry Shandling, putting in a comedic cameo as a crypto-fascist who furtively whispers “Hail Hydra” to one of his associates. All of this, of course, will fly over the heads of the vast majority of the goyim who watch it just to be thrilled by the comic book action.

Rainer Chlodwig von Kook

Have shopping to do and want to support icareviews? The author receives a modest commission on Amazon purchases made through this link: http://amzn.to/1S3hdlw

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