Archives for posts with tag: Lisa Kudrow

neighbors 2

Seth Rogen vehicle Neighbors, while vile, was at least a passably funny film for fans of the star’s repugnant antics. This sequel, sad to say, retains and amplifies the grossness of its predecessor while disposing of any of the franchise’s previous charms. This time Rogen and wife Rose Byrne are subjected to the obnoxiousness of an upstart sorority headed by new neighbor Chloe Grace Moretz. Moretz, for several years one of Jewish Hollywood’s favorite shiksa voodoo dolls, is as usual degraded under the guise of women’s empowerment as she and her cohorts smoke dope (“College is about new experiences”), throw noisy parties celebrating the loss of virginity, wage war against “super-sexist” fraternities, and demonstrate themselves to be “strong adult women” by flinging their saturated tampons at Seth Rogen’s windows. Zac Efron, Rogen’s original nemesis from Neighbors, switches sides and joins forces with his old foe in Neighbors 2, while some of his old fraternity brothers also appear as part of a subplot that serves no purpose apart from the promotion of homosexual “marriage”. NBC sitcom old-timers Kelsey Grammer of Frasier and Lisa Kudrow of Friends are similarly wasted (no pun intended) in brief supporting roles. One also wishes character actor Billy Eichner’s supporting turn as eccentric real estate agent Oliver Studebaker had been expanded.

2.5 out of 5 stars. Ideological Content Analysis indicates that Neighbors 2 is:

6. Anti-marriage. The opening scene in the film shows a wife vomiting in her husband’s face during intercourse. This is how the filmmakers choose to establish the horror of conventional domesticity in audiences’ minds.

5. Pro-miscegenation. The obligatory interracial couple expresses interest in buying Rogen’s house.

4. Pedo-friendly. A small child is regularly present during inappropriate discussions and is repeatedly seen playing with a dildo. The last time this reviewer saw such a thing was in an Israeli film, so maybe kids and dildos is a Jewish tradition? There is also a joking reference to child pornography.

3. Pro-drug. Weed humor abounds, with illegal marijuana dealing highlighted as a quick way for college kids to pick up some extra cash. “I think this is my thing now,” one of the girls enthuses.

2. Pro-gay. A gay marriage proposal elicits a rowdy chant of “U.S.A.! U.S.A.!” The lucky couple also makes known that they intend to adopt. In addition, the film appears to encourage sexual experimentation even among heterosexuals, as “sometimes you gotta suck a dick to realize you don’t like suckin’ dick.”

1. Feminist. “Don’t call ‘em hoes. It’s not cool anymore.”

Rainer Chlodwig von K.

Neighbors

Audiences accustomed to expect the ultimate in raunchy excess from Seth Rogen comedies ought not to be disappointed by Neighbors (2014), a highlight or lowlight of the actor’s career depending on individual taste. Rogen (The Guilt Trip) and Rose Byrne (The Internship) play recent parents whose idylls are disrupted when the rowdy Delta Psi Beta fraternity moves into the house next door. When the noise from the nearby parties becomes too much for the couple to take, a no-holds-barred feud breaks out between equally immature factions. What ensues is an hour and a half of some of the most unflinchingly filthy cultural venom this critic has tasted, and some of it is actually pretty funny. Can any doubt remain that Rogen, notwithstanding his irresistible charm and impeccable comic delivery, is for precisely these reasons one of the most dangerous men in the world today, able as he is to cajole audiences into swallowing the most murderous poison? This is the dread testament to his greatness.

4 out of 5 stars. Ideological Content Analysis indicates that Neighbors is:

10. Statist, glorifying police brutality.

9. Anti-gun. Byrne shoots down Rogen’s idea of buying a gun to protect his home.

8. Green. “You better put that in a recycling bin. All of it,” Byrne insists with reference to the beer cans strewn across her lawn.

7. Multiculturalist. Delta Psi Beta includes not one, but two token blacks and even an Asian.

6. Racist! Demonstrating that Jewishness is a get-out-of-jail-free card for anything, Rogen gets to say “nigga” and even wears a hipster-racist T-shirt depicting a negroid feline eating watermelon.

5. Pro-gay. “That’s awesome,” Rogen comments when a faggot couple with a baby moves into the neighborhood. Much of the fraternity’s party culture suggests latent or even overt homosexuality. Two frat lads, instead of having a proper fist fight, grab each other’s groin. “Is that how people fight now?” Rogen asks. “What are they doing?” Rogen is shocked but not too upset at seeing his wife kiss another woman. His climactic confrontation with nemesis Zac Efron involves dueling dildos, with Rogen compelled to suck his enemy’s weapon at one point.

4. Degenerate. “I’m takin’ you to bone town, bitch,” Rogen tells his wife as he fucks her in view of their smiling mischling baby. In one graphic scene of full-frontal obscenity, a girl has an unusually long dick wrapped around her throat. “Hey, guys,” she boasts, “what do you think of my new necklace? It’s a choker.” Sundry other moments, too many to mention . . .

3. Pro-drug. Weed blazes throughout the film, with Rogen lighting up on his break at work and also smoking in the presence of his infant daughter. For the final blowout, the frat house is transformed into an epic “hotbox”, with barrels of burning marijuana getting everyone on the premises high. Neighbors also contains casual cocaine use and scenes with Rogen gobbling psychedelic mushrooms. Waxing wigger, the hero repeatedly uses the word “dope” to describe anything that meets with his approval. Drinking interferes with Rogen’s sexual performance, but he manages to parlay even this into a comedy shtick to amuse his wife. “I feel like shit, but I love it,” she says when her hangover hits. Referencing Breaking Bad, the couple dresses their daughter up in a yellow suit like Walter White and poses her for photographs with Gatorade ice cubes designed to look like the show’s “blue stuff”. “She’s a little meth head,” Rogen dotes.

2. Family-ambivalent. “We are the family you get to choose and we don’t get divorced,” explains one brother of his fraternity. A tension persists throughout Neighbors between Rogen and Byrne’s commitment to being responsible thirty-something parents and their desire to have fun and feel like freewheeling twenty-somethings. Probably only to give itself some tenuous veneer of socially redeeming value, Neighbors ends with the couple reaffirming their identity as a family. Permeating the story, however, is the sense that they seek escapism from their “boring-ass lives as parents”. “Just because I’m a mom doesn’t mean I’m going to change who I am,” insists Byrne, to which Rogen counters, “Just because I’m a father doesn’t mean I can stop doing mushrooms with teenagers.”

1. Zionist-triumphalist. Notwithstanding the disinformation it generally spews with regard to global Zionist machinations, Hollywood knows and has always known the reality of Judaic high crimes and atrocities. A long and honored Israeli tradition is comically flaunted when Rogen and company stage a false flag party of sorts, shooting fireworks from the frat house to prompt a reaction from the police. Rogen’s compatriot Isaac “Ike” Barinholtz even inserts the Hebrew expression for “Game Over” into a phony letter he crafts to trick the fraternity into misbehaving. Acknowledging Jewish supremacist attitudes toward goy cattle and “shikse” women, Neighbors includes one disgusting sequence in which Rogen milks wife Rose Byrne like a cow. “We should go mom-tipping later,” he jokes, adding, “I was just trying to lighten the mooooood.”

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