Archives for posts with tag: Focus Features

Closed Circuit

Forget neoconservative junk like Zero Dark Thirty. Closed Circuit is the real deal – or, anyway, as close to it as a major motion picture is likely to get in the present climate. After a 7/7-reminiscent terrorist bombing in London, attorneys Eric Bana and Rebecca Hall are assigned the task of defending Farroukh Erdogan (Denis Moschitto), the alleged “mastermind” of the attack. It soon becomes clear, however, that nothing is as it seems in this self-described “conspiracy thriller”, as Bana discovers that the case is “being managed” from above and that the “suicide” of the previous barrister handling Erdogan’s defense might actually foreshadow his own demise. Unremittingly grim and realistically paranoid, Closed Circuit moves at a healthy clip, sustained by the lead actors’ earnest performances, and suffers principally from its anemic chromatic palette and visual drabness.

[WARNING: POTENTIAL SPOILERS]

4 out of 5 possible stars. Ideological Content Analysis indicates that Closed Circuit is:

7. Anti-marriage. Bana is going through a divorce.

6. Feminist. Hall portrays an assertive, tough, and detail-oriented professional woman.

5. Anti-drug. Government patsy Erdogan is a heroin addict who, in the great Islamic fundamentalist tradition, has a drunk driving arrest on his record. The poor quality of the horse made available to him in prison causes him to be nauseous.

4. Anti-racist/multiculturalist. An East Indian complains that he is regularly stopped by police. The War on Terror, Closed Circuit suggests, has exacerbated racial prejudices. The multicultural wealth of London’s Turkish population proves to be an asset to the investigation.

3. Media-skeptical. The British press is characterized as unscrupulous. Closed Circuit strains credibility, however, in suggesting that The New York Times, of all publications – the “newspaper of record” that, for instance, covered up the Holodomor – would be the beacon of honesty in such a scenario, and that one of its reporters (Julia Stiles) would risk assassination to bring the truth about synthetic terrorism to the public.

2. Anti-state. Closed Circuit performs a modest service in mainstreaming the concept of government-instigated terror, with “national security” considerations only masking the cover-up; but the movie stops short of accusing western intelligence agencies of actually commissioning false flag terror attacks. Instead, Closed Circuit presents a story in which MI-5, through “incompetence”, has lost control of its counterterrorism operation.

1. Defeatist. “We’re not strong enough to fight them, are we?”

Rainer Chlodwig von Kook

Dallas Buyers Club

Matthew McConaughey, who over the past few years has become one of this writer’s favorite actors working today, is the only reason to watch Dallas Buyers Club, the most recent attempt to subvert and metamorphose the American cowboy into a gay activism icon after the manner of Brokeback Mountain (2005). McConaughey stars as Ron Woodroof, a narrow-minded ne’er-do-well whose life changes forever – or, anyway, for what remains of it – after he is diagnosed with what Andy Warhol called “gay cancer”.

Jennifer Garner portrays a concerned physician, while Jared Leto munches the scenery as junkie transvestite Rayon, who becomes Woodroof’s business partner in the “Dallas Buyers Club”, a grassroots enterprise designed to provide AIDS sufferers with a healthier treatment alternative than the big pharmaceutical competition. Woodroof’s drive to prolong his life and combat the establishment’s market stranglehold is fairly compelling, but squeamish viewers are forewarned that the movie contains such tacky attempts at heart-tuggery as the sight of a sick, self-pitying transvestite drooling blood and whining “I don’t wanna die . . .”

4 out of 5 stars. Ideological Content Analysis indicates that Dallas Buyers Club is:

9. Anti-Christian. Woodroof dresses as a priest while attempting to smuggle drugs into the U.S. from Mexico. The image of an AIDS patient wearing a clerical collar is of course no sartorial accident and works as a barb directed at Catholic moral hypocrisy, so many priests being closeted homosexuals, many of whom are known to have succumbed to AIDS.

8. Anti-drug. Woodruff’s intravenous drug use, along with his inveterate whore-chasing, has put him at greater risk for contracting AIDS. Also, Rayon’s dope addiction only exacerbates his decline.

7. Anti-racist. One of the personal failings Woodroof must overcome is his racism, evidenced by his references to Asians as “chinks” and Saudis as “sand niggers”. As his drug procurement operation goes global, he learns to appreciate the profitability of doing business with foreigners. “I like your style,” he tells a Japanese doctor.

6. Feminist. In addition to overcoming his racism, Woodroof must also come to accept women’s contributions to the modern workforce. “I don’t want a nurse, I want a doctor!” he protests in one early scene.

5. Anti-redneck. The spectacle of a gun-toting “homophobic asshole” and piece of “Texas hick white trash” suffering from AIDS and lashing out in his agony as dignified professional women and minorities look on with contempt is pure political porn for liberals, the quintessence of their wishful thinking.

4. Capitalist. Dallas Buyers Club betrays a left-libertarian streak in its combination of social liberalism and celebration of the entrepreneurial spirit, attempting to illustrate how unfettered markets will serve both the small businessman and consumer. “I say what goes in my body, not you.”

3. Anti-corporatism. The IRS, DEA, and particularly the FDA appear as antagonists in the film, the cronyist footmen of big pharma monopolists looking to squeeze the competition. “Now that’s the shit that’ll rot your insides,” Woodroof avers, examining a package of meat in a grocery store. “What a surprise,” he then adds, “FDA-approved.” The FDA, Dallas Buyers Club alleges, merely functions as big pharma’s glorified street pushers.

2. Pro-gay. Through a business partnership that blossoms into a friendship, Woodroof learns to appreciate Rayon as an individual, and comes to appreciate the general plight of homosexuals as he succumbs to the disease they share. AIDS, as the great sexual-sociopolitical equalizer, almost seems to be the movie’s unsung hero. Demonstrating his transformation from homophobe to humanitarian, Woodroof in one scene grabs his bigoted friend T.J. (Kevin Rankin) and holds him in a headlock until he agrees to shake Rayon’s hand. Homosexuals appear as sensitive and nurturing throughout Dallas Buyers Club.

1. Pro-NWO. “Look at this place,” Woodroof muses, surveying the scene in a bohemian clinic south of the border. “Fuckin’ chinks, homos, herbs, hot nurses. You got a regular New World Order goin’ on here . . .”

Rainer Chlodwig von Kook

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