Archives for posts with tag: experiment

Zombinator

The filming of a fashion documentary furnishes the pretext for a film crew to follow a group of college students around Youngstown, Ohio, on what turns out to be night the city is hit by a zombie plague. Unfortunately, those lured by the inviting sight of the zombie cyborg featured on the cover of The Zombinator are bound to be a bit disappointed, as no such creature actually appears in the film.

The title character (Joseph Aviel) is an Afghanistan veteran trying to save Youngstown and the United States from a military-industrial undead plot being executed on the ground by “war hero” the Colonel (Patrick Kilpatrick) and his team of greedy mercenaries. The young people, meanwhile, spend most of the movie whimpering, cowering, running, and trying not to get bitten.

The film crew’s presence in the story suggests a postmodern self-awareness on the part of The Zombinator‘s makers, but it also presents some puzzling questions. They seem to be an unusually caddish lot, even for movie industry professionals, considering that they continue to shoot with apparent indifference as their associates are attacked, neither lifting a finger to help during combat nor even alerting a group of sleeping girls as the zombies sneak up on them.

The Zombinator achieves an adequate level of suspense, even if the zombies and story are nothing new or particularly special; and occasionally bathetic humor offers a welcome break from the scenes of horror and mediocre action with CGI blood and fake gunfire. Shame on The Zombinator, though, for baiting the audience with the tasty prospect of a zombie-Terminator hybrid and instead delivering a regular old hungry carcass flick.

3 out of 5 stars.

[WARNING: POTENTIAL SPOILERS]

Ideological Content Analysis indicates that The Zombinator is:

9. Anti-tobacco. A cigarette is a “cancer stick”.

8. Racist! A horny black dude stupidly opens a door for some zombie sluts. Paranoid and self-absorbed congoids are apt to assume that even the basement of a Catholic school might be a secret hideout for the KKK. End credits feature a vicious ghetto zombie in a hoodie.

7. Anti-family. Marcus (Justin Brown) was abused by his father.

6. Class-conscious. The 1% gets name-dropped, as does the gentrification neighborhoods of Youngstown are said to be experiencing. “It’s more like civilized murder now.”

5. Anti-Christian. The Zombinator is generally irreverent toward Christianity. A rotten-faced rock singer wears a clerical collar; one Youngstowner recalls seeing a bullet hole in a church bathroom; and priests (one of whom smokes) are ineffective at thwarting zombies. God, meanwhile, is “the one who’s got the biggest dividends.”

4. Anti-Y. Generation Y appears as a wimpy, idiotic, and superficial lot, the Colonel’s suggestion that they are truly “the greatest generation” coming across as masked sarcasm.

3. Anti-cronyism/anti-Obama. “But what about change?” cries a stupid liberal on learning that she and her friends are guinea pigs in a government bio-terror scheme. “What about what everybody voted for, against big corporations?”

2. Antiwar. America’s rulers preside over an empire, not a progressive wonderland, and ignorant young people’s mindless mouthing of patriotic admiration for soldiers rings unmistakably hollow. Afghanistan is a testing ground for biological agents, with soldiers used for deadly experiments.

1. Anti-state and N.W.O.-alarmist, promoting those darned conspiracy theories. “This is government shit, dude,” suspects one of the filmmakers. “If the world doesn’t see this, this is gonna happen everywhere else, too.” Later, the Zombinator explains that, “They have a cure, but they will not use it until it gets so big, after Youngstown is gone, and then they’ll present it on the market and make billions . . . billions and billions on your corpses.” So forget that crap in Contagion (2011) and World War Z (2013) about the valiant public servants over at the CDC and the WHO. This is the real deal.

Dr. Caligari (1989) ****1/2

A non-pornographic film from Stephen Sayadian, the man behind the fan favorite Cafe Flesh (1982), Dr. Caligari casts a formidable bid for the most colorfully flamboyant and lurid movie ever made. Recalling the premise of Sayadian’s script for the episodic adult feature Nightdreams (1981), Dr. Caligari concerns the titular harridan’s perverted experiments in sexuality at her insane asylum. Her latest guinea pigs include Mrs. Van Houten (Laura Albert), who suffers from psychotic “nympholepsy”, and redneck serial killer and cannibal Mr. Pratt (John Durbin in a thoroughly grotesque and charismatic performance). Meanwhile, subordinate Dr. Avol (Fox Harris of immortal Repo Man infamy) discovers that Dr. Caligari has finally gone too far and resolves to bring her reign of erotic terror to an end.

Shoulder pads were invented for Madeleine Reynal, evilly graceful and domineering in the role of the mad scientist, while Fox Harris gets the most outrageous showcase of his career for his special brand of over-the-top camp craziness, and sultry, unforgettable Laura Albert furnishes eye confection of the most delectable order as the hallucinating nymphomaniac patient. Dr. Caligari‘s true star, however, is writer-director-designer-cinematographer Stephen Sayadian, whose sight gags, wacky color schemes, sick sense of menacing humor, and flair for the tastefully tacky permeate and elevate this 80s oddity, updating the original’s expressionism for the decade of eye-popping neon. Shot almost entirely in chiaroscuro, Dr. Caligari occasionally evinces the feel of a real horror movie and packs some genuinely disturbing content with its hat-tips to incest, sadomasochism, and Cronenbergian body angst. The only thing Sayadian’s opus is missing – other than emotional depth, obviously – is the narrative momentum that might have prevented the film from overstaying its welcome slightly even at 80 minutes.

4.5 out of 5 stars. Be sure to check Dr. Caligari out in its entirety on YouTube.

 

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