Archives for posts with tag: euthanasist

dead trigger

This campy and stupid but fun mid-budget entry in the based-on-a-video-game zombie subgenre serves as a decent geriatric Dolph Lundgren vehicle. Here he leads a team of “dead triggers” – losers and outcasts recruited by the government to take on suicide missions in zombie-infested warzones – into post-apocalyptic Terminal City, “Ground Zero” of a plague that for years has enriched monolithic arms-and-pharmaceuticals conglomerate Cyglobe. There’s nothing here that people haven’t seen before, but fans of the genre will probably like it, bad CGI and all.

3.5 out of 5 stars. Ideological Content Analysis indicates that Dead Trigger is:

[WARNING SPOILERS]

Retro-feminist, introducing not one but several tough-girl ass-kickers of the supermodels-in-tight-outfits variety. “My father wanted me to join the military, but I always wanted to be a scientist.” Yawn. If this movie were really progressive, the representatives of womanly resourcefulness would be fat, heavily tattooed, pierced, and/or trans.

Euthanasist. People have a “right to die”, and “the more we kill, the more we set free.”

Anti-Christian. A preacher (James Chalke) is depicted as a drunkard, and a zombie outbreak in his church serves as an excuse to show Lundgren slaughtering his parishioners. Probably in an ass-covering move, this scene is then revealed to be a sequence from virtual-reality gameplay.

Anti-corporate. Cyglobe has purposefully prolonged the zombie war to profiteer. Any anti-war posturing one might discern in this movie is, however, wholly insincere. “You know, I realized something,” says Tara (Autumn Reeser). “What’s really left of our humanity. It’s us – the humans left to fight. Because despite everything, we still care.” “Humans”, as far as Saban Films is concerned, are those still willing to fight Israel’s wars.

Obama-ambivalent. Dead Trigger was released by Israeli-American Democrat megadonor Haim Saban; and, just as there was a vacillation in Saban’s attitude toward Barack Obama and his Middle East policy, so there is an ambiguity to Dead Trigger’s characters needing to reach and cross the zombie-besieged and curiously named “Obama Bridge” to make their way to safety and escape Terminal City.

Anti-Russian. Dead trigger vet Martinov (UFC fighter Oleg Taktarov) of course turns out to be a traitor who sells out his team to Cyglobe.

Neoconservative – but also playfully conspiracist, perhaps even straying into Revelation of the Method. “Ground Zero”, the designation for Terminal City, where the zombie outbreak (and hence the interminable zombie war) started, immediately calls 9/11 to mind. Linking the zombies with Muslims – rather like World War Z – one scene occurs in a zombie strip club with Arabic architectural motifs; and, again recalling 9/11, Captain Rockstock (Isaiah Washington) tells one zombie, “Have a nice flight”, before throwing it from a balcony. “Ground Zero” is said to contain secrets that could lead to a cure for the plague. In a possibly related development, two zombie-hunting characters known as the “Twins” (Alyona Chekhova and Seira Kagami) are revealed before they are killed to have been in the employ of Cyglobe all along, thus evoking the concept of the “inside job” in conjunction with potentially 9/11-relevant “Twins”. Immediately following this moment is a scene in which dead trigger Naomi (Natali Yura) recounts an Alice in Wonderland fantasy and her desire to lose herself down the “rabbit hole”.

Rainer Chlodwig von K.

Rainer is the author of Drugs, Jungles, and Jingoism.

Black Mass poster

A decidedly drab and unglamorous but still magnetic Johnny Depp appears as South Boston gangster James “Whitey” Bulger in Black Mass, a true crime film from Scott Cooper, the director of the excellent Out of the Furnace. As much as it constitutes a crime saga, however, Black Mass is also a cautionary study of ethnonationalism. The film’s handling of the material is mostly sober, but veers dangerously close to the glorification of violence in more than one sequence – with, for instance, dance floor booty intercut with the discovery of a body in the trunk of a car. Depp maintains a controlled burn throughout, and the other players – Joel Edgerton, Rory Cochrane, and Dakota Johnson among them – are also commendably strong. Definitely worthwhile for crime film fans.

4.5 out of 5 stars. Ideological Content Analysis indicates that Black Mass is:

6. Pro-miscegenation. Joel Edgerton enjoys a lewd dance with a black woman.

5. Anti-Christian, but not as vociferously so as one might be led to expect by the film’s title and the promotional trailer. Christian paraphernalia loses its meaning in the context of remorseless murderer Bulger’s participation in empty rituals.

4. Anti-drug. Aspirin doses debilitate Bulger’s son (Luke Ryan) with Reye’s Syndrome, which leaves him braindead. Bulger, while heartbroken by this, shows no concern for the neighborhood kids who buy his drugs. Learning that Bulger participated in government LSD experiments, the viewer is left to speculate that this might have exacerbated his madness and criminal inclinations.

3. Euthanasist. Bulger’s wife (Johnson) prefers to take their son off life support rather than see him continue as a vegetable. “He’s never gonna be our little boy again, ever. […] He’s braindead. He’s on life support. He can’t move, and I don’t want him like that. I can’t have my little boy be like that. I’ll pull the plug myself. I will.” Clashing with the mother’s reasonable assessment of the situation is Bulger’s irrational anger as he curses his wife, kicks over a chair, and knocks a table on its side, with the heavy irony here being that a gangster and murderer, of all people, has become the advocate for the sanctity of human life.

2. State-skeptical. Government is only as worthy as the men who fill the responsible posts. The Winter Hill Gang bribes “local street cops, feds, whatever” in exchange for the cooperation of authorities.

1. Anti-white. Black Mass opens with an interrogation conducted by a federal agent resembling Eric Holder. James “Whitey” Bulger’s nickname is highly significant, as well, as is brought to the fore in a brief scene in which a black man tells him, “This ain’t your neighborhood, Whitey,” and receives a brutal beating in reply. Bulger is an Irish nationalist determined to retake territory from Boston’s “oppressor” Italians, and he and his gang have nothing but contempt for an Irish-American “turncoat motherfucker” like Officer Flynn (David Conley), who works for the other side. Bulger, as his empire grows with the help of childhood acquaintance and FBI investigator John Connolly (Edgerton), who sees to it that the Bureau overlooks his activities, even assists the IRA with shipments of arms. “What is written on a piece of paper [i.e., law] is less important than blood,” Connolly excuses his actions.

“The only time he ever seemed happy was when he was talking about the IRA,” one of Bulger’s associates remembers – the implication being that European ethnic exclusiveness holds a special attraction for gloomy people with unsatisfying lives. The name of the boat, the “Valhalla”, used to transport the weapons, carries associations with Nordicism and Nazism, and that Black Mass should be largely concerned with discrediting ethnonationalism is hardly surprising when Hollywood Zionist sleazoid Brett Ratner’s name shows up in the end credits as an executive producer. Ethnic solidarity is framed as a hollow ideology providing protection for white crime and terrorism. Bulger’s “code of honor”, furthermore, does not prevent him from introducing drugs into his own neighborhood. A Jewish actor, Corey Stoll, plays the upstanding FBI investigator who finally brings “Whitey” Bulger to justice.

Rainer Chlodwig von Kook

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Zombies vs. Strippers

The Tough Titty, a strip club in a seedy Los Angeles slum, finds itself in the middle of a zombie apocalypse in this silly Full Moon outing. Spider (Circus-Szalewski), the proprietor, along with his bevy of shapely and jiggly employees, must cope with swelling numbers of undead perverts who congregate around the building while everyone also tries to come to terms with how they will spend what may be their last night on Earth. A pair of lewd customers wants nasty thrills; DJ Bernie (Tanner Horn) just wants to get high; while Spider and the strippers increasingly find that staying alive is more important than making money they might not be able to spend.

Slightly better than the tacky and unimaginative title might suggest, Zombies vs. Strippers is still an unremarkable pile of trash and risks overstaying its smelly welcome even at a meager seventy-four minutes padded with lengthy opening credits. There are, of course, curves galore, and a few witty one-liners; but the zombies, after a nice gradual tease during the exposition, offer only a modicum of suspense and pay diminishing returns as more and more of the snarlers appear onscreen. Good enough for a slow night, but hardly the movie this viewer would want at the top of his queue at the end of the world.

3 stars. Ideological Content Analysis indicates that Zombies vs. Strippers is:

13. Diversity-skeptical. Black stripper Vanilla (Brittany Gael Vaughn) dismisses “crazy fuckin’ white boys”.

12. Pro-gun. Guns are used defensively against the corpses.

11. Anti-slut. Fornicators are punished, with the zombie plague being compared to venereal disease.

10. Anti-X.  Like Creep Van, Zombies vs. Strippers holds Generation X/Y in low regard, particularly in terms of their value to employers.  DJ Bernie is a pothead, and the strippers can be foulmouthed and sassy. “I’m a professional. That used to mean something,” bouncer Marvin (J. Scott) reflects disapprovingly on the slacker mentality. “The American Dream is stuck in the mud,” children’s host Hambo the Ranch Hand (Chance A. Rearden) says before advocating the extermination of the rising generation.

9. Anti-TV.  Paralleling the zombie plague is the zombie-like vapidity and desensitization of the characters in the film from what seems to have been a lifelong diet of dumb television. “What would Hambo do?” Spider asks, the pig-nosed TV personality having apparently taken the place of Jesus in his life. Characters are more than once unable to distinguish between entertainment and imminent threat.

8. Anti-police. The LAPD, whether from cowardice or indifference, never enters the neighborhood of the Tough Titty. Bikers laugh at the threat of a call to the police.

7. Pro-choice/euthanasist. The infected must be put out of their misery for the good of humanity. Hambo, holding up two eggs, calls for the “eggstermination” of the young.

6. Anti-drug. Spider insults a zombie, calling it “crackhead”, and tells Bernie that weed will lower his sperm count. Later, offering a reefer to a zombie, Bernie is bitten.  When Bernie the zombie is killed by Vanilla, she cries, “This is your brain on drugs, motherfucker!” and pierces his head with her high-heel shoe. Drinking impairs the judgment of more than one character. One man is killed just as he is about to light a cigarette.

5. Capital-ambivalent. Zombies vs. Strippers presents a warts-and-all but basically sympathetic portrait of the American small businessman in Spider, who despite his efforts has failed to make the Tough Titty profitable.  Spider is not above trying to cheat a customer out of his money, but his chosen victim, musician Spike (Adam Brooks), is dishonest and an admitted thief. Adding to Spider’s woes are disrespectful and lazy employees like Bernie, whose poor turntable efforts prompt Spider to threaten to replace him with an mp3 player.

4. Anti-Christian. Christians are represented by biker Red Wings (Brad Potts), who spouts biblical claptrap but makes little secret of his nasty-mindedness. Spike gets tired of listening to his “religious crap”. One of the strippers irreverently dons a nun costume.

3. Pro-miscegenation. Black stripper Vanilla, announced as two scoops of chocolate ice cream that will make a man’s banana split, is desired by the white men around her and engages in flirtation with Red Wings.

2. Feminist.  The name of the strip club, the Tough Titty, says it all. Strong women stand the best chance of surviving. The representative male chauvinist pig (Patrick Lazzara) who uses abusive language against the strippers is certain to meet with an unpleasant end.

1. Relativist/nihilist.  “We’re all a bunch of criminals. A whole world of ‘em.”

 

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Nazis at the Center

From They Saved Hitler’s Brain and The Frozen Dead to The Boys from Brazil and, more recently, the gotterdammerung-awful Iron Sky, B-movies have gotten a lot of mileage out of the notion of the Fourth Reich – a return to power by fugitive Nazis who, during the decades intervening since their defeat in World War 2, are supposed to have been plotting and building their organization in some secret hiding place.  Just so that the movie industry can reassure itself that all of the possible bases of Nazi resurgence are covered, Nazis at the Center of the Earth opts for the opposite approach from its cohort Iron Sky, positing that the inevitable Nazi invasion will come not from outside the Earth’s atmosphere, but from within, under Antarctica’s frozen surface.  As in The Boys from Brazil, the infamous Dr. Josef Mengele (Christopher Karl Johnson) is the mastermind behind it all.

Nazis at the Center of the Earth, unfortunately, fares little better than Iron Sky; whereas that one groped for laughs with zany, unhumorous humor, Nazis at the Center of the Earth feels like a comedy with all of the jokes removed.  What funniness there is to be had from it derives from the premise, situations, and visuals: graphic but comfortingly absurd gore scenes and even a cyborg Adolf Hitler (James Maxwell Young), or at least the Fuhrer’s sneering head encased in a terrarium planted on top of a CGI robot body.  With the exception of Jake Busey’s singular turn as Antarctic bacteriological researcher Dr. Reistad, however, most of the actors play the material straight, with the result that the film has an uneven tone, ranging from the ridiculous to the incongruously serious.

Jake Busey, both physically and in his screen presence, is very much a chip off the famous old block, and one wishes he had more to do here than standing around looking odd, as Busey is easily Nazis at the Center of the Earth‘s greatest asset.  Basically competent technically, the film still comes up lacking in the entertainment department.  The gore effects are good, but not sufficiently plentiful to carry the day for horror fans; and whatever suspense is generated during the first half hour is dissipated once it becomes clear the story is going nowhere novel or fun.  The wax flake snow, the pedestrian score, the boring moralizing, and chintzy effects all might be forgiven if only this cheap exploitation effort had acknowledged its roots and gone for the throat with the gore or included some sexy material – or, better yet, some humor in the form of one-liners or comedic characters instead of a generalized, intermittent, and anticlimactic absurdism.

2 stars.

[WARNING: POTENTIAL SPOILERS]

Ideological Content Analysis indicates that Nazis at the Center of the Earth is:

7. Conspiracy theory-friendly.  All those kooks who wrote those books about Nazi flying saucer experiments were right!

6. Euthanasist.  The unfortunate Dr. Maynard (Adam Burch) is kindly put out of his misery by one of his colleagues after being discovered with all of his skin removed.

5. Pro-life/anti-slut.  Dr. Reistad, learning from his girlfriend that she is pregnant, knocks her out and extracts the embryo for its stem cells, which are used to revive the Fuhrer’s head.

4. Zionist.  Dr. Blechman (Andre Tenerelli), captured by the Nazis and identified by Mengele as a Jew, denies this, saying, “No, I’m not religious.”  He is vaporized anyway, having failed to understand that the Nazis and probably WASPs and other gentiles generally hate Jews not because they practice Judaism, but because they are Semites and a biological abomination.  Implicit in Blechman’s punishment is a validation of militant Jewish vigilance.

3. Pro-marriage.  Dr. Morgan (Dominique Swain) accepts when Dr. Moss (Joshua Michael Allen) proposes to her.

2. Anti-Christian.  Hitler seems to be the most religious person in Nazis at the Center of the Earth.  “The Lord of the Universe has been so generous to us in recent years that we bow in gratitude before a Providence that has permitted us to be members of such a great nation,” he proclaims after coming back to life.

1. Anti-racist/anti-fascist/anti-eugenics, etc. (i.e., pro-yawn).  “Bomb every non-Aryan country!” Hitler commands, intending to wipe out the untermensch with flesh-eating bacteriological warheads.  “We are about to start a New World Order where only the strong will survive,” Dr. Mengele explains.

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