Archives for posts with tag: DJ

Zombies vs. Strippers

The Tough Titty, a strip club in a seedy Los Angeles slum, finds itself in the middle of a zombie apocalypse in this silly Full Moon outing. Spider (Circus-Szalewski), the proprietor, along with his bevy of shapely and jiggly employees, must cope with swelling numbers of undead perverts who congregate around the building while everyone also tries to come to terms with how they will spend what may be their last night on Earth. A pair of lewd customers wants nasty thrills; DJ Bernie (Tanner Horn) just wants to get high; while Spider and the strippers increasingly find that staying alive is more important than making money they might not be able to spend.

Slightly better than the tacky and unimaginative title might suggest, Zombies vs. Strippers is still an unremarkable pile of trash and risks overstaying its smelly welcome even at a meager seventy-four minutes padded with lengthy opening credits. There are, of course, curves galore, and a few witty one-liners; but the zombies, after a nice gradual tease during the exposition, offer only a modicum of suspense and pay diminishing returns as more and more of the snarlers appear onscreen. Good enough for a slow night, but hardly the movie this viewer would want at the top of his queue at the end of the world.

3 stars. Ideological Content Analysis indicates that Zombies vs. Strippers is:

13. Diversity-skeptical. Black stripper Vanilla (Brittany Gael Vaughn) dismisses “crazy fuckin’ white boys”.

12. Pro-gun. Guns are used defensively against the corpses.

11. Anti-slut. Fornicators are punished, with the zombie plague being compared to venereal disease.

10. Anti-X.  Like Creep Van, Zombies vs. Strippers holds Generation X/Y in low regard, particularly in terms of their value to employers.  DJ Bernie is a pothead, and the strippers can be foulmouthed and sassy. “I’m a professional. That used to mean something,” bouncer Marvin (J. Scott) reflects disapprovingly on the slacker mentality. “The American Dream is stuck in the mud,” children’s host Hambo the Ranch Hand (Chance A. Rearden) says before advocating the extermination of the rising generation.

9. Anti-TV.  Paralleling the zombie plague is the zombie-like vapidity and desensitization of the characters in the film from what seems to have been a lifelong diet of dumb television. “What would Hambo do?” Spider asks, the pig-nosed TV personality having apparently taken the place of Jesus in his life. Characters are more than once unable to distinguish between entertainment and imminent threat.

8. Anti-police. The LAPD, whether from cowardice or indifference, never enters the neighborhood of the Tough Titty. Bikers laugh at the threat of a call to the police.

7. Pro-choice/euthanasist. The infected must be put out of their misery for the good of humanity. Hambo, holding up two eggs, calls for the “eggstermination” of the young.

6. Anti-drug. Spider insults a zombie, calling it “crackhead”, and tells Bernie that weed will lower his sperm count. Later, offering a reefer to a zombie, Bernie is bitten.  When Bernie the zombie is killed by Vanilla, she cries, “This is your brain on drugs, motherfucker!” and pierces his head with her high-heel shoe. Drinking impairs the judgment of more than one character. One man is killed just as he is about to light a cigarette.

5. Capital-ambivalent. Zombies vs. Strippers presents a warts-and-all but basically sympathetic portrait of the American small businessman in Spider, who despite his efforts has failed to make the Tough Titty profitable.  Spider is not above trying to cheat a customer out of his money, but his chosen victim, musician Spike (Adam Brooks), is dishonest and an admitted thief. Adding to Spider’s woes are disrespectful and lazy employees like Bernie, whose poor turntable efforts prompt Spider to threaten to replace him with an mp3 player.

4. Anti-Christian. Christians are represented by biker Red Wings (Brad Potts), who spouts biblical claptrap but makes little secret of his nasty-mindedness. Spike gets tired of listening to his “religious crap”. One of the strippers irreverently dons a nun costume.

3. Pro-miscegenation. Black stripper Vanilla, announced as two scoops of chocolate ice cream that will make a man’s banana split, is desired by the white men around her and engages in flirtation with Red Wings.

2. Feminist.  The name of the strip club, the Tough Titty, says it all. Strong women stand the best chance of surviving. The representative male chauvinist pig (Patrick Lazzara) who uses abusive language against the strippers is certain to meet with an unpleasant end.

1. Relativist/nihilist.  “We’re all a bunch of criminals. A whole world of ‘em.”

 

Dislike Ideological Content Analysis on Facebook or stalk Rainer Chlodwig von Cuck on Twitter or Google+

Advertisements

Rock DJ Heidi Hawthorne (Sheri Moon Zombie) launches upon a series of strange and frightening experiences after mysteriously receiving a goth record credited to “The Lords”. But are her ordeals real or just hallucinations? And is the elusive tenant down the hall in apartment 5 just another figment of her imagination? Meanwhile, museum curator Francis Matthias (Bruce Davison) investigates what he believes may be a link between the Lords’ surprising new hit song and the local heritage of sorcery and witch burnings. Could the eccentric old ladies living in Heidi’s building be the remnants of Salem’s seventeenth century coven, and, if so, do they have plans for their young friend?

Rob Zombie’s latest horror opus, The Lords of Salem, is impressive in a number of ways. Ambitious, consistently atmospheric, and occasionally quite unsettling, the film is filled with images that will remain with those who view it. Cinematographer Brandon Trost deserves much of the credit for the veneer, somewhat tenuous, of something approximating class, which keeps the show afloat over the stinking morass of its unsavory obsessions. The special effects and art departments are equally commendable, as are the contributions of musicians Griffin Boice and John 5.

The Lords of Salem does, however, begin to overstay its welcome as it becomes increasingly apparent that the film has little or no purpose apart from cramming as much blasphemous shock value onto the screen as possible while maintaining a stylish pretension to some kind of seriousness. Still, horror fans should find much to enjoy, and may detect and appreciate the writer-director’s indebtedness to genre classics including Black Sunday, Rosemary’s BabyThe Wicker Man, and The Fly. These same fans, unfortunately, may be disappointed to learn that familiar performers like Michael Berryman, Meg Foster, Richard Lynch, Andrew Prine, and Sid Haig are squandered in worthless, unrecognizable cameos.

Ideological Content Analysis indicates that The Lords of Salem is:

9. Media-critical. Pop culture carries the potential for mass hypnosis. Rock in this case is literally “the Devil’s music”.

8. New age. Wicca is “a positive, earth-centered religion”.

7. Multiculturalist/pro-wigger. Heidi sports ratty dreadlocks and gets along swimmingly with her non-white coworkers.

6. Pro-miscegenation. Herman “Whitey” Salvador (Jeff Daniel Phillips) – a white Hispanic, presumably – is something like Heidi’s occasional guyfriend. Matthias is married to a Latina (Maria Conchita Alonso).

5. Anti-family. Matthias, appalled at the thought of changing diapers, has never wanted children. An attendee at a drug rehabilitation support group recalls that his mother was also an addict and responsible for his own drug problem. (see also no. 3)

4. Drug-ambivalent. Hard drugs are a problem from which Heidi is still recovering, but cigarettes and liquor receive a free pass. Mrs. Matthias smokes marijuana.

3. Pro-choice. “Children are a bit of a waste.” Childbirth is more than once depicted horrifically. First a witch licks a newborn infant and spits on it, disgusted by the taste. Later scenes depict a human mother giving birth to inhuman invertebrate offspring. (see also no. 5)

2. Feminist/pro-slut/pro-castration. In the opening scene, a coven of seventeenth century Femen disrobe and disport without shame. “That felt good,” Sonny (Dee Wallace) says after braining Whitey with a pot, thus repurposing traditional women’s domestic wares into the means of gender retribution. Heidi, Zombie’s feminine ideal, is a tattooed eyesore who sleeps bare-bottomed and experiences sexual self-actualization with a goat. Her guyfriend Whitey, a sensitive nurturer, does a weenie dance to the Velvet Underground’s masochistic paean “Venus in Furs”.

1. Anti-Christian. The Lords of Salem is a veritable cavalcade of blasphemous celebration. Images likely to offend religious viewers include monstrous, masturbating clergymen, Christian objects juxtaposed with liquor, and a priest (Julian Acosta) forcing Heidi to give him a blowjob. Church is “slavery”. The Bible is “the Book of Lies”. “Our philosophy,” says rock musician Count Gorgann (Torsten Voges), who no doubt speaks for Zombie himself, “is to expose the lies of the Christian whores and Jesus the true bringer of death.” “God must die. God is the unholy pig,” he adds for those in need of further clarification on his views.

IRRUSSIANALITY

Russia, the West, and the world

Muunyayo

Farawaysick for a High Trust Society...

Fear of Blogging

"With enough courage, you can do without a reputation."

Alt of Center

Life. Liberty. And the Pursuit of Beauty

The Alternative Right

Giving My Alt-Right perspective

Logos

| literature |

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Bad People, Strange Times, Good Books

Historical Tribune

The Factual Review

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!