Archives for posts with tag: Buttercup Dew

star wars flop

Disney’s Solo has flopped at the box office – evidence of America’s growing anti-Semitism, no doubt, and nothing to do with the quality of the recent entries in the franchise. Andy Nowicki discusses the Star Wars “anti-canon” here, here, and here. At Counter-Currents, Buttercup Dew finds that the later films “represent a failure of the liberal imagination.” Solo “is basically just a pulp-level caper film,” observes that same website’s Trevor Lynch, who adds, “At one point, it crossed my mind that maybe Disney had confused Han Solo with Indiana Jones.” Further:

Solo has plenty to irritate racially conscious whites. Alden Ehrenreich is twice as Jewish as Harrison Ford. Woody Harrelson’s character has a black squeeze. Space pimp Lando is supposed to be pansexual, but that is simply to say he is an actor. His droid has a sassy black Communist woman trapped inside it. Emilia Clarke’s Qi’ra is supposed to be something completely new: a strong, badass woman. But she’s actually no MaRey Sue. She’s simply treacherous and backstabbing. The leader of the marauders has a face from the National Geographic miscegenation issue. And so forth.

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

Infinity War

Over at Counter-Currents, Buttercup Dew reviews “fanboy-specific orgasmatron” Avengers: Infinity War “with unbiased eyes”. At Affirmative Right, meanwhile, culturist John K. Press finds in the same film an “unmistakably Christian” experience, “even if the producers are not fully aware of this” – and Andy Nowicki muses on the significance of Infinity War‘s inclusion of depopulation as a plot element. Robert Stark interviews Norwegian filmmaker Bjorn Erik Sorensen about his upcoming movie Broke on the most recent episode of the Stark Truth podcast. Turning to older movies, John Morgan joins Me Ne Frego for a discussion of A Clockwork Orange and its treatment of the idea of man’s perfectibility. Soiled Sinema‘s Ty E. honors the excellent Cutter’s Way as “the only cinematic work of its era that goes all the way in terms of pure and unadulterated cultural pessimism in regard to the state of the United States and its increasingly disenfranchised white working-class majority.” The estimable Edmund Connelly, writing at The Occidental Observer, reflects on the misunderstood Jewishness of Richard Dreyfuss’s character in the comedy Once Around, and J-F Gariepy and Mr. Z discuss the prescient elements of the futuristic Stallone classic Demolition Man. Finally, at Counter-Currents, Margot Metroland remembers the late Adam Parfrey, who came from a Hollywood family and would become an influential publisher of taboo, transgressive, and conspiracy-related literature at Feral House. Enjoy!

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

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