Archives for posts with tag: Bryan Singer

Pederast rats exposed!

X-Men-Days-of-Future-Past

After an overly busy and action-saturated exposition, alleged pedophiliac ringmaster Bryan Singer’s X-Men: Days of Future Past develops into a passable superhero entertainment, with Logan (Hugh Jackman) venturing back to the seventies to try to stop scientist Bolivar Trask (Peter Dinklage) from developing the adaptive Sentinel robots who pose an existential threat to mutant survival in the future. Highlights include a comedic slow-motion bullet-halting set piece and the climactic confrontation in which Logan and Beast (Nicholas Hoult) gang up on renegade Magneto (Michael Fassbender). Jennifer Lawrence, meanwhile, playing the pivotal role of Mystique, will, depending upon the viewer’s tolerance for fetish garb, either be sexy or repulsive in her scaly blue body stocking and slather of greasy red porn hair.

4 out of 5 stars. Ideological Content Analysis indicates that X-Men: Days of Future Past is:

4. Anti-family. Asked if he has children, Logan (Hugh Jackman) answers, “Sure as hell hope not.”

3. Anti-corporatist. At the unveiling of the Sentinels, decorations feature Trask insignia melded with elements of the American flag, suggesting a fusion of government and the defense industry.

2. Feminist. The formidable Mystique kicks or otherwise incapacitates dozens of men throughout the film.

1. Crypto-Zionist. Ostensibly antiwar, Days of Future Past shows its neoconservative streak by having the Sentinel raids on the X-Men occur under the threateningly gloomy skies of Russia and China, two countries currently standing in the way of the Jew World Order. Bodies dumped in a pile evoke the famous images of the Holohoax, while Bolivar Trask’s obsession with experimentation on the mutants so as to find a way to eradicate them recalls the notorious Dr. Josef Mengele’s alleged experiments and Hitler’s supposed “Final Solution” of fumigating the world of Jewry.

The Trask Industries logo, with its angular insignia in a circle against a plain field, vaguely suggests a Nazi banner, and the fact that Trask himself is a midget casts race-conscious gentiles and nationalists as small, abnormal men who overcompensate for their inadequacies by pointing their fingers at those who happen to be a little different. Mutants, like the Ashkenazim, are extraordinarily talented infiltrators who pass as members of a majority they despise and to which they consider themselves superior, a step higher on the evolutionary staircase. Mystique, significantly, is a shapeshifter who, in her mission to save her “people”, insinuates herself into the highest levels of politics so as to subvert and neuter human government from within.

X-Men: Days of Future Past also reveals that, while Magneto has been accused of murdering John F. Kennedy (thus accounting for that legendary “magic bullet”), the helmeted hero was actually trying to save Kennedy’s life because – get this – Kennedy himself was a crypto-mutant! Thus, continuing with the Jewish-mutant parallels, the film seeks to exonerate Israel of any connection with the JFK assassination and paint the president as a tragically fallen friend of the Jews. This would all seem to be designed to distract from the intriguing case made by journalist Michael Collins Piper, author of Final Judgment, to the effect that the Mossad had Kennedy killed because he opposed Israel’s nuclear weapons program.

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