Archives for posts with tag: Avengers

avengers endgame

At Counter-Currents, Spencer J. Quinn reviews Avengers: Endgame and finds that it “amounts not just to a waste of time, but a profound waste of time: one that can be instructive and meaningful, but certainly not worth the three-hour, fourteen-dollar investment that the filmmakers are asking you to make”; while Trevor Lynch revisits Martin Scorsese’s The Aviator ,”a masterpiece, a work of tragic grandeur encompassing everything that made America both great and terrible, a biopic raised to the level of myth”; and Hugo Adrian considers “Neo as Jewish Messiah in The Matrix Trilogy” in another piece very much worth reading. (I have addressed related themes, albeit in less impressive depth, in my book Protocols of the Elders of Zanuck and in a 2015 post here at Ideological Content Analysis.) In episode 19 of Guide to Kulchur, Fróði Midjord, John Morgan, and Survive the Jive‘s Thomas Rowsell undertake a stimulating appreciation and dissection of the quasi-horror cult classic The Wicker Man, with Greg Johnson next joining Morgan and Midjord for further discussion of The Wicker Man on the latest Counter-Currents podcast. Over at The Unz Review, Max West ruminates on S. Craig Zahler’s epochal offering Dragged Across Concrete – reviewed by me here – as an act of “cinematic trolling”, also drawing on Jungian analysis for an understanding of the movie’s deeper sociological significance. Finally – last but far from least – Brandon Adamson expounds upon the galactic credits and dystopian demerits of Seth MacFarlane’s sci-fi series The Orville in his Autistic Mercury contribution “Cucked in Space”.

Rainer Chlodwig von K.

Rainer is the author of the books Drugs, Jungles, and Jingoism and Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

Infinity War

Over at Counter-Currents, Buttercup Dew reviews “fanboy-specific orgasmatron” Avengers: Infinity War “with unbiased eyes”. At Affirmative Right, meanwhile, culturist John K. Press finds in the same film an “unmistakably Christian” experience, “even if the producers are not fully aware of this” – and Andy Nowicki muses on the significance of Infinity War‘s inclusion of depopulation as a plot element. Robert Stark interviews Norwegian filmmaker Bjorn Erik Sorensen about his upcoming movie Broke on the most recent episode of the Stark Truth podcast. Turning to older movies, John Morgan joins Me Ne Frego for a discussion of A Clockwork Orange and its treatment of the idea of man’s perfectibility. Soiled Sinema‘s Ty E. honors the excellent Cutter’s Way as “the only cinematic work of its era that goes all the way in terms of pure and unadulterated cultural pessimism in regard to the state of the United States and its increasingly disenfranchised white working-class majority.” The estimable Edmund Connelly, writing at The Occidental Observer, reflects on the misunderstood Jewishness of Richard Dreyfuss’s character in the comedy Once Around, and J-F Gariepy and Mr. Z discuss the prescient elements of the futuristic Stallone classic Demolition Man. Finally, at Counter-Currents, Margot Metroland remembers the late Adam Parfrey, who came from a Hollywood family and would become an influential publisher of taboo, transgressive, and conspiracy-related literature at Feral House. Enjoy!

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

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