Archives for posts with tag: anime

Twilight of the Cockroaches VHS cover

This writer’s father took him to see the Japanese import Twilight of the Cockroaches (1987) during its 1989 American theatrical run – at the now-defunct Fine Arts Theatre in Mission, Kansas, if memory serves. Directed by Hiroaki Yoshida, whose only other credit at the helm of a film is the Jeff Fahey thriller Iron Maze (1991), Twilight of the Cockroaches is but one of unnumbered oddities spawned by the Japanese cinema during the 1980s; and one suspects that the principal reason it got picked up for stateside distribution was its combination of live action and animation, a pairing that had demonstrated its power to charm audiences with Who Framed Roger Rabbit? (1988).

The plot concerns a colony of pampered cockroaches who are permitted to live and thrive in the apartment of the dissipated and enigmatic Mr. Saito (Kaoru Kobayashi), who seems to spend most of his time in a stupor. The roaches’ peaceful existence is upset, however, when Saito gets a girlfriend (Setsuko Karasuma) who understandably insists on ridding his place of its swarms of invertebrate squatters. Not too many movies muster the gumption to cast six-legged vermin as sympathetic protagonists in such a situation, but Twilight of the Cockroaches does exactly that and succeeds largely by anthropomorphizing the animated pests, complete with human faces, facial hair on the men, and even cleavage on the females of the species.

What makes the film doubly strange and noteworthy is that the roaches apparently represent Jews, much of the story suggesting a “Holocaust” allegory. The English-language script, credited to a Steve Kramer, even uses the term “genocide” to describe humanity’s treatment of its innocent, toilet-tripping neighbors of order Blattodea. “With its subtle allusions to Hiroshima and Dachau,” the VHS box quotes The Philadelphia Inquirer’s Carrie Rickey, “this comedy has unexpected resonance. You will think twice before getting out that can of Blockade.” (Ms. Rickey is presumably unaware that even mainstream “historians” of the “Holocaust” no longer support the Nuremberg Tribunal lies about the Dachau facilities housing homicidal gas chambers disguised as showers.)

The cockroaches comprise a “tribe” suffered in the home of “host” Mr. Saito, who is described as being diverted or entertained by them, much as Jews in America distract the host with Hollywood. Then, too, they see themselves as having a special racial destiny, and they also worship a toy rabbit they know as “Torah”. Nothing in the English-dubbed soundtrack suggests Jewish vocal mannerisms, but some of the older and more important roaches do exhibit large and somewhat hook-shaped noses. The penchant of many of the roaches for spending their nights frolicking in the toilet could also suggest the subversive traits of Jews who specialize in pornography and the propagation of other degeneracies.

Seeing this movie as a child, this writer was wowed by the sheer weirdness of it, Europeans having been conditioned for decades to adore the foreign and the bizarre as a virtue. Revisited now, it is hardly a classic. Twilight of the Cockroaches does, however, furnish a useful illustration of how and why such infestation occurs. The “host”, Mr. Saito, the film eventually reveals, has been abandoned by his family, and only after the dissolution of this essential unit has he fallen into complacency and toleration of vermin and allowed them scavenge on his goods, the spoils of his own productivity. The destruction of the family is the crucial and most fundamental component of Jewish subversion of a nation; without that the Jewish cockroach is in peril, and it is only after another woman enters Mr. Saito’s life and inspires within him a yearning for new happiness in domesticity that he awakens to the filth and asserts his masculine sovereignty over his realm.

Rainer Chlodwig von Kook

Twilight of the Cockroaches VHS back

Advertisements

The-Internship-movie-poster

Wedding Crashers costars Vince Vaughn and Owen Wilson reunite in The Internship, adequate underdog comedy fare that plays it safe and superficial, never deviating from genre conventions, and gives audiences exactly what the trailer has led them to expect. Vaughn and Wilson play Billy and Nick, wristwatch salesmen who, finding themselves the latest casualties of modernization, apply for a competitive Google internship in the long-shot hope of employment.

The protagonists’ plight will be an uncomfortably poignant one to endangered data entry workers, Blockbuster Video clerks, and all of the other expendable relics of the late twentieth century, along with that general portion of the audience comprising the rear guard of the technologically squeamish. There is an irony to the early scene in which Nick and Billy cavalierly order a bottle of Pappy Van Winkle, as they themselves, like Washington Irving’s Rip Van Winkle, are suddenly made conscious of the fact that the world they knew until now is gone. After being dismissed as dinosaurs by their younger and more brilliant rivals, however, the pair finds that their age and experiences lend them a skill set and a valuable difference of perspective, a reconciliation that finds expression in the image of a tyrannosaurus skeleton wearing Groucho glasses.

Nick and Billy’s obligatory (and unlikely) comeback notwithstanding, the film offers little hope to those still haunted by the words of former employer Sammy (John Goodman) when he tells them, “Everything’s computerized now. [. . .] They don’t need us anymore.” Then, too, there is one cynical young intern’s assertion that, “The whole American Dream thing that you guys grew up on – that’s all it is nowadays – a dream.”

Vaughn and Wilson make a great comedy team, and the supporting cast, from John Goodman to Josh Brener, Will Ferrell, and the delightfully arch Aasif Mandvi, greatly enlivens an uneven script by Vaughn and Jared Stern. The Internship is funny, if not, perhaps, as consistently hilarious as one might hope; but the pacing is impeccable, so that the movie is never in danger of grating on the viewer’s patience – even if that same viewer’s sense of the decent is in for a thrashing.

3.5 of 5 possible stars. Ideological Content Analysis indicates that The Internship is:

13. Statist. The eccentric Yo-Yo’s (Tobit Raphael) traumatic homeschooling serves implicitly to endorse the public education system (cf. The Bling Ring).

12. Feminism-ambivalent. Dana (Rose Byrne) admits that her single-minded careerism has prevented her from having a happy and normal domestic existence. Her solution, however, is not to quit her job and raise a family, but to begin an affair with a new coworker. (cf. The Heat)

11. Pro-gay. “Seriously, same-sex partners make excellent parents,” Neha (Tiya Sircar) gushes. “I so wish my parents were gay.” Strippers engage in lesbian play. Anal sex is a “life changer”.

10. Pro-miscegenation. The sight of curvaceous black booty gets an obnoxious mattress salesman (Will Ferrell) hot to trot. Asian guy Yo-Yo, meanwhile, receives serial lap dances from one or more white strippers. There is also flirtation between Indian Neha and white guy Stuart (Dylan O’Brien).

9. Pro-wigger. Lyle (Josh Brener) appropriates ‘hood lingo throughout. “Hells yeah,” fist-bumping, etc.

8. Anti-Luddite. Things are getting better all the time. One suspects that Nick (Wilson), after finally landing a job with Google, would retract his earlier words of despair: “People have a deep mistrust of machines. Have you seen Terminator? Or 2? Or 3? Or 4?” (cf. no. 7)

7. Technology-skeptical. Despite its basic endorsement of innovation, The Internship does imply critiques of what gadgetry and the internet have done to human interaction. “People hate people,” Sammy observes, and post-adolescent representatives of Generation Y exhibit social dysfunction ranging from crippling shyness to barely human rudeness and lack of any shame whatsoever in the discussion of matters best left private. Neha, like many of her generation, fetishizes Japanese pop-cultural garbage and says she enjoys cosplay (dressing up like anime characters). (cf. no. 8)

6. Pro-slut. Dana sleeps with Nick on the night of their first date.

5. Pro-drug. Billy (Vaughn) unwisely suggests he would be happy to have a “cold one” or “get high” with the severe Mr. Chetty (Mandvi). He also expresses a willingness to procure alcohol for underage co-interns. Students have the best night of their lives getting drunk and raising a ruckus at a strip club. The film does, however, at least discourage drunk driving and warns against overzealous imbibing (“I think my liver hurts”).

4. Anti-family/anti-marriage. Old client Bob (Gary Anthony Williams) has an ugly daughter who Nick and Billy have to pretend is pretty. Yo-Yo’s father (Fel Tengoncion) is a henpecked husband. His mother (Chuti Tiu) was overly protective, breastfeeding him until he was seven. She also mentally and physically abuses him, which has made Yo-Yo overly harsh on himself, so that he feels he must punish himself for “inferior performance”. “My mom calls me a maniac every night when I tell her I love her,” he says. (cf. no. 11)

3. Multiculturalist/pro-immigration. “Diversity is in our DNA,” Lyle says of his company. Intellectually bright non-whites appear in depressing abundance as juxtaposed with dopey white guys Nick and Billy. Anti-American zillionaire and ethnosaboteur Mark Zuckerburg will probably get misty-eyed when he watches The Internship‘s depictions of all the technologically adept diversity awaiting the country as soon as “immigration reform” is passed.

2. Progressive. Google is “an engine for change”.

1. Corporate. The Internship is essentially a feature-length Google commercial.

The Alternative Right

Giving My Alt-Right perspective

The Logos Club

Theoretical Exploration towards practical application

The Espresso Stalinist

Wake Up to the Smell of Class Struggle ☭

parallelplace

Just another WordPress.com site

NotPoliticallyCorrect

Human Biodiversity, IQ, Evolutionary Psychology, Epigenetics and Evolution

Christopher Othen

Author of Good Books about Bad People in Strange Times

Bre Faucheux

News, Thoughts, & Tangents

DESERET NATIONALIST ASSOCIATION

NATIONALISM | POPULISM | IDENTITY | HERITAGE

Historical Tribune

The Factual Review

The Roper Report

Billy's Balkanization Blog

Economic & Multicultural Terrorism

Delves into the socioeconomic & political forces destroying our Country: White & Christian Genocide.

Ashraf Ezzat

Author and Filmmaker

ProphetPX on WordPress

Jesus-believing U.S. Constitutionalist EXPOSING Satanic globalist SCAMS & TRAITORS in Kansas, America, and the World at-large. Jesus and BIBLE Truth SHALL PREVAIL!

Floating-voter

A topnotch WordPress.com site