Archives for posts with tag: 28 Weeks Later

Maggie

Arnold Schwarzenegger gets a rare opportunity to show his range as an actor in Maggie, which casts him as a Midwestern everyman who goes looking for his daughter (Abigail Breslin) after a zombie outbreak plunges the country into chaos. Unfortunately, when he finds her, she is already one of the afflicted. They have some time before the infection causes her to turn, however, and so he brings her home from the hospital for a few last days of vainly attempted normalcy, which naturally leads to painful tensions and scares as Maggie’s stepmother (Joely Richardson) begins to be frightened for her life. This is not Arnold the action lead, but Arnold the life-size yet heroic victim of circumstance whose situation dictates his reconciliation with reality. Those expecting a frenzied zombie apocalypse outing along the lines of 28 Weeks Later (2007) or World War Z (2013) will be disappointed, as Maggie offers little in the way of undead pandemonium. This unusual movie is best described as a somber family drama that also happens to have horror elements.

4 out of 5 stars. Ideological Content Analysis indicates that Maggie is:

2. Anti-Christian. Arnie’s wife has resorted to prayer, but heard only silence in reply.

1. Anti-family and anti-white. It is difficult for this viewer to watch an intelligent zombie film without searching for its allegorical significance. In Maggie, the plague has spread from the cities across the rustic heartland, suggesting a cosmopolitan cultural rot has infected the unspoiled folk of the plains and particularly their young. Maggie presents itself as a movie about the importance of family ties, with a reassuringly positive and tender depiction of a father; but this is really a genocidal study of European man reconciling himself to a future of zero posterity. With unintentional comedy, the family’s wise old Jewish physician, Dr. Kaplan (Jodie Moore), advises Schwarzenegger to do the sensible thing and shoot his daughter before she goes cannibal on him. Devotion to kin, in the context of Maggie’s apocalyptic zombie plague, becomes a liability and a threat to public health and order.

Rainer Chlodwig von Kook

More Schwarzenegger movies at Ideological Content Analysis:

Escape Plan

Expendables 2

Expendables 3

The Last Stand

Terminator Genisys

The zombie apocalypse genre has come a long way culturally since its invention by George Romero with Night of the Living Dead. That prestigious leading man Brad Pitt now stars in a $190,000,000 zombie movie from Paramount says quite enough about how firmly the ravenous hordes of corpses have ensconced themselves as a mainstream phenomenon. World War Z, the resulting film, happily rises above its origins in a pop horror fad and delivers the goods both in terms of suspense and as grist for speculative consideration, with director Marc Forster rising to the occasion and producer Pitt’s extracurricular interest in international philanthropy only slightly marring an otherwise exciting and rewarding adventure. Imagine, in short, 28 Weeks Later, but with more faith in human nature and hope for species survival.  4.5 stars. Recommended, but not for the faint of heart.

[WARNING: POTENTIAL SPOILERS]

Ideological Content Analysis indicates that World War Z is:

10. Moderately pro-castration.  United Nations errand boy Gerry Lane (Pitt) is an exemplar of the sensitive man, a homemaker who cooks breakfast for his wife and daughters. Thankfully, Lane mans up fast when the action necessitates.

9. Anti-police. One officer rudely knocks the driver’s side mirror off Lane’s vehicle, and another is seen participating in the looting of a store, taking no interest in the violence happening around him.

8. Progressive/pro-philanthropy. “Movement is life,” Lane advises in Spanish in the context of trying to convince a Hispanic family to leave the precarious safety of their apartment. Lane resolves the global crisis in Taoist fashion when he discovers that humanity’s hope lies in the emulation of its weakest elements. “Help each other,” Pitt says at the end over images of unfortunate Third Worlders in a moment that would make Bono misty-eyed with pride.

7. Feminist. Tough Israeli soldier Segen (Daniella Kertesz) with her buzz cut and resourcefulness represents the unsexed woman warrior ideal.

6. Pro-family. Lane cares deeply for his wife and daughters and agrees to come out of retirement only with the intention of protecting them.

5. Multiculturalist. World War Z goes out of its way to depict compassionate people of different races showing consideration for each other (cf. nos. 3 and 4).

4. Zionist. The special historical experience of the Jews as a persecuted people has spurred them to a greater level of preparedness than other nations; their protective wall was thus completed just before the zombie apocalypse went global. Look to the Magic Kingdom for guidance, the film seems to say (cf. nos. 3 and 5).

3. Immigration-ambivalent and anti-Arab. World War Z sends some mixed and confusing signals here. Israel, even after the zombie outbreak, continues to allow controlled Palestinian immigration on the principle that every human allowed to come under their protection is one potential zombie less to fight in the future. “It’s too late for me to build a wall,” Lane reflects in reference to America’s situation (zombie or Mexican?) when he witnesses the initial success of the Israeli security system. Unfortunately, the immigrant infiltration proves subversive when the obnoxious wailing of Palestinian refugees on a microphone drives the zombies outside into such a frenzy that they pile on top of each other to scale the wall like an angry ant swarm. Arabs, serving an inadvertent Trojan horse function, are thus equated with the mindless zombies (cf. nos. 4 and 5).

2. Statist/pro-NWO. The valiant internationalists of the United Nations and the World Health Organization are Earth’s only hope.

1. Green. A lame opening credits montage suggests that climate change is responsible for the rabies-like plague ravaging the planet.

[UPDATE (11/18/13): Richard B. Spencer of the National Policy Institute offers his insights into World War Z in an engaging and articulate YouTube talk here.]

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