blackkklansman

David Duke and Mark Collett discuss the “artistic license” taken by director Spike Lee and screenwriters David Rabinowitz et al. with their depiction of Duke and the Ku Klux Klan in Lee’s new “true story” BlacKkKlansman. Gregory Hood, meanwhile, reviews Purge prequel The First Purge – which, like BlacKkKlansman, was produced by Jason Blum of the anti-white fear factory Blumhouse Productions – and argues that it “implicitly urges its audience to take pleasure in the slaughter of whites even as it supposedly pleads for nonviolence. […] The political situation it portrays is almost a perfect inverse of reality: European-Americans actually live under a ruling class that is replacing them in their own country. The closest thing to The First Purge in real life,” Hood contends, “is not Donald Trump’s America, but Nelson Mandela’s South Africa. This film fails as both satire and entertainment, but it’s a warning about how an increasing number of people see us – and for that reason, it is well worth watching.” Finally, Andy Nowicki wonders aloud how Hollywood will defend itself in the face of accumulating evidences of its vileness.

Rainer Chlodwig von K.

Rainer is the author of Protocols of the Elders of Zanuck: Psychological Warfare and Filth at the Movies – the DEFINITIVE Alt-Right statement on Hollywood!

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